Critical Reaction
Dave Kehr of the Chicago Reader praised the adaptation by Kazan and the "down-to-earth" performances of James Dean and Richard Davalos. Bosley Crowther, writing for The New York Times, described the film as having "energy and intensity but little clarity and emotion"; he notes:
In one respect, it is brilliant. The use that Mr. Kazan has made of CinemaScope and color in capturing expanse and mood in his California settings is almost beyond compare. His views of verdant farmlands in the famous Salinas "salad bowl," sharply focused to the horizon in the sunshine, are fairly fragrant with atmosphere. The strain of troubled people against such backgrounds has a clear and enhanced irony. But the "stubborn fact is that the people who move about in this film are not sufficiently well established to give point to the anguish through which they go, and the demonstrations of their torment are perceptibly stylized and grotesque."Crowther calls Dean's performance a "mass of histrionic gingerbread" which clearly emulates the style of Marlon Brando.
Fifty years later, Kenneth Turan of the Los Angeles Times was much more positive, saying East of Eden is "not only one of Kazan's richest films and Dean's first significant role, it is also arguably the actor's best performance." The film's depiction of the interaction between Dean and Massey was characterized by Turan as "the paradigmatic generational conflict in all of American film."
Read more about this topic: East Of Eden (film)
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