East Asian Gothic Typeface

East Asian Gothic Typeface

Gothic typefaces (simplified Chinese: 黑体; traditional Chinese: 黑體; pinyin: hēitǐ; Japanese: ゴシック体 goshikku-tai; Korean: 돋움 dotum, 고딕체 godik-che) are a type style characterised by strokes of even thickness, reduced curves, and lack of decorations, akin to sans serif styles in Western typography. It is the second most commonly used style in East Asian typography, after Ming.

Read more about East Asian Gothic Typeface:  Characteristics, The Name “Gothic”, Sans-serif Typefaces in Computing

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    Then Moses stretched out his hand over the sea. The LORD drove the sea back by a strong east wind all night, and turned the sea into dry land; and the waters were divided. The Israelites went into the sea on dry ground, the waters forming a wall for them on their right and on their left.
    Bible: Hebrew, Exodus 14:21,22.

    Exploitation and oppression is not a matter of race. It is the system, the apparatus of world-wide brigandage called imperialism, which made the Powers behave the way they did. I have no illusions on this score, nor do I believe that any Asian nation or African nation, in the same state of dominance, and with the same system of colonial profit-amassing and plunder, would have behaved otherwise.
    Han Suyin (b. 1917)

    A Gothic cathedral affirms that it was done by us and not done by us.
    Ralph Waldo Emerson (1803–1882)