1950s: Global Influence
East Asian cinema has - to widely varying degrees nationally - had a global audience since at least the 1950s. At the beginning of the decade, Akira Kurosawa's Rashomon and Kenji Mizoguchi's Ugetsu both captured prizes at the Venice Film Festival and elsewhere, and by the middle of the decade Teinosuke Kinugasa's Gate of Hell and the first part of Hiroshi Inagaki's Samurai Trilogy had won Oscars. Kurosawa's Seven Samurai became a global success; Japanese cinema had burst into international consciousness.
By the end of the decade, several critics associated with French journal Cahiers du cinéma published some of the first Western studies on Japanese film; many of those critics went on to become founding members of the French nouvelle vague, which began simultaneously with the Japanese New Wave.
Read more about this topic: East Asian Cinema
Famous quotes containing the words global and/or influence:
“The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.”
—Guy Debord (b. 1931)
“A husband who submits to his wife’s yoke is justly held an object of ridicule. A woman’s influence ought to be entirely concealed.”
—Honoré De Balzac (1799–1850)