Influence
The musical portion of "Earache My Eye", which was written originally by Canadian artist Gaye Delorme, a resident of Edmonton, AB, has been covered by many bands, ranging in styles from heavy metal to hip hop. The comedy-metal group Scatterbrain covered the song on their album Here Comes Trouble. Korn released the song as a hidden track at the end of "My Gift to You" from their 1998 album Follow the Leader, with Cheech Marin appearing as a guest vocalist. The recording was reissued on the compilations Live and Rare and Playlist: The Very Best of Korn, separated from "My Gift to You".
Alternative rockers Rollins Band and Soundgarden both covered the song, and the hip hop group 2 Live Crew used a sample from the song on their 1989 album As Nasty As They Wanna Be. The Canadian power trio Rush have used the song's signature riff live, to end "The Big Money", (whose album version ends with a fade) on the live album A Show of Hands. It was also used to end Tom Sawyer on the band's Snakes & Arrows World Tour and can be heard on the subsequent live album.
Electric Magma used the song's main riff in a song titled "The Chong Song" which appears on the 2007 release Coconut Bangers Ball.
Gov't Mule covered the song at the Vic Theatre in Chicago, Illinois on April 15, 2000 with Brodie Hutchinson, soundman, performing the spoken word portion and this is available as a Classic Muletracks.
The Kottonmouth Kings also sampled this classic on the song "Loadies" from their album Cloud Nine.
Raging Slab also covered the song on their 1991 release, Slabbage/True Death.
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Famous quotes containing the word influence:
“The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.”
—Terri Apter (20th century)
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“I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way. But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.”
—Charles Sanders Peirce (1839–1914)