Dummy (album) - Reception

Reception

Professional ratings
Review scores
Source Rating
Allmusic
Entertainment Weekly A−
Almost Cool (10/10)
Q
Rolling Stone
Sputnikmusic
Slant Magazine
Bloody Disgusting
Piero Scaruffi
BBC (very favourable)
The New York Times (very favourable)

It won the 1995 Mercury Music Prize, beating stiff competition which included PJ Harvey's To Bring You My Love, Oasis' Definitely Maybe, and Tricky's Maxinquaye.

  • Mojo (p. 62) - Ranked No. 35 in Mojo's "100 Modern Classics."
  • Mojo (1/95, p. 50) - Included in Mojo's "25 Best Albums of 1994."
  • The New York Times (1/5/95, p. C15) - Included on Neil Strauss' list of the Top 10 Albums Of '94.
  • NME (8/12/00, p. 29) - Ranked No. 29 in The NME "Top 30 Heartbreak Albums."
  • NME (12/24/94, p. 22) - Ranked No. 6 in NME's list of the 'Top 50 Albums Of 1994.'
  • Q (12/99, p. 82) - Included in Q Magazine's "90 Best Albums Of The 1990s."
  • Q (6/00, p. 66) - Ranked No. 61 in Q's "100 Greatest British Albums."
  • Rolling Stone (5/13/99, pp. 79–80) - Included in Rolling Stone's "Essential Recordings of the 90's."
  • In 2003, the album was ranked No. 419 on Rolling Stone magazine's list of the 500 greatest albums of all time.
  • Spin (9/99, p. 140) - Ranked No. 42 in Spin Magazine's "90 Greatest Albums of the '90s."
  • The Village Voice (2/28/95) - Ranked No. 14 in the Village Voice's 1994 Pazz & Jop Critics Poll.

The album is the subject of a title in Continuum's 33⅓ series of books, published in October 2011.

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Famous quotes containing the word reception:

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)