Historic Imagery of The Site
-
The Dudley Freightliner depot in 2001.
-
The Dudley Freightliner depot in 2001.
-
The former Dudley Freightliner Terminal signal box's remnants in 2002.
-
The former Dudley Freightliner Terminal signal box's remnants in 2002, more than 10 years after it was closed and destroyed by arsonists.
-
The former Dudley Freightliner Terminal signal box's remnants in 2002.
-
The closed old railway lines that once ran between Dudley port and Dudley's Freightliner depot in 2001.
-
The closed old railway lines that once ran between Dudley port and Dudley's Freightliner depot in 2001.
-
Clockewise- 1/ The former Dudley station signal box. 2/ The end of the former station-come-depot goods yard. It was a rubbley field from 2000 to date (2011). 3/ The former sidings by the castle. 4/ A view from the base of the Freightliner signal box across to the former station come depot. The tracks are the line from Dudley Port to Netherton, but the path is trackbed of the line to Tipton Five-ways.
-
Dudley Town's former station platform in 2011 with an old channel carved in it. The channel is for a former gantry crane at the Freightliner depot that Later covered the station platforms and goods yard.
-
Dudley Town's former station platform in 2011. There is a channel (out of shot) in it for a former gantry crane at the Freightliner depot that later covered the station platforms and goods yard.
-
Dudley Town's former station platform in 2011 with buffers and an old channel carved in it. The channel and buffer beams were for a former gantry crane at the Freightliner depot that Later covered the station platforms and goods yard.
Read more about this topic: Dudley Freightliner Terminal
Famous quotes containing the words historic, imagery and/or site:
“We are becoming like cats, slyly parasitic, enjoying an indifferent domesticity. Nice and snug in “the social” our historic passions have withdrawn into the glow of an artificial cosiness, and our half-closed eyes now seek little other than the peaceful parade of television pictures.”
—Jean Baudrillard (b. 1929)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)
“It is not menstrual blood per se which disturbs the imagination—unstanchable as that red flood may be—but rather the albumen in the blood, the uterine shreds, placental jellyfish of the female sea. This is the chthonian matrix from which we rose. We have an evolutionary revulsion from slime, our site of biologic origins. Every month, it is woman’s fate to face the abyss of time and being, the abyss which is herself.”
—Camille Paglia (b. 1947)