Drum and Bugle Corps (classic) - Performance

Performance

A drum and bugle corps performance consists of the playing of music, usually accompanied by marching on parade, in field-drill formation(s) or in a standstill performance. It is similar to that of a marching band, but more in line with military presentation and heritage. Further, perfection of execution is more traditional to drum & bugle corps. A marching band takes instruments which are used indoors and takes them outside in order to participate in outdoor ceremonies. A drum & bugle corps took outdoor instruments and remained outdoors, occasionally going inside for "standstill" concerts.

Drum and bugle corps is, traditionally, a musical activity which extended the camaraderie of combat to a musical "battle" on (football)-sized fields. The evolution and perceived "politics" of judging, however, has led most "classic" corps to move to exhibition-only performances which not only avoids judging preferences and politics but also cuts the costs of performing and of producing field presentations.

Until the 1960s, competitive shows traditionally began with an inspection — owing to the corps' military heritage — to ensure all on the field were qualified to compete, and that the uniforms and equipment were presentable according to standards. Scoring was done by circuit-approved judges which considered performance and overall effect in both music and movement.

Classic-era drum and bugle corps emphasized the stages of their presentations (beginning, middle and end) by their location on the field. A performance typically begins with the corps stepping "off the line" (the left goal line on a standard American football field).

The corps signals its readiness to the audience and judges by a drum major's salute. At the first step or note of music, the timekeeper will fire a timing pistol to designate the official start of post-inspection judging.(The timing pistol will be used again as an eleven-minute warning to designate the end of the minimum time permitted for the field performance.)

The corps might perform an "opening fanfare", followed by an "off the line" number which takes the corps to mid-field. The next traditional number is a "color presentation" or "color pre" (presenting the national flag according to the flag code). Following the presentation of the colors is an "into concert" piece which takes the corps into a concert formation (usually played standing still). Then, an "out of concert number" follows. There is the "exit" piece off the field — the opposite sideline, followed by the final fanfare, often but not always played at a standstill.

The corps then reconfigures into a single or double file and proceeds to "troop the stands" - marching from the audience's right to its left in columns close to the main grandstands while saluting, to the accompaniment of the drumline. Rarely, the bugles may offer an encore tune at this time.

The corps members then will be at liberty until the final corps is on the field, and then will again muster for the massed "retreat" ceremony at which all the participating corps re-enter the field simultaneously, each usually in its own parade formation as only one corps "plays them on".

As the music and motion halts, the field announcer summons the corps' commanding officers to center front, recognitions are made, and lastly the scores (if this was a judged contest) are announced. Each corps then marches off individually with its own music in order of placement, and the winning corps often remains, continuing to perform.

Read more about this topic:  Drum And Bugle Corps (classic)

Famous quotes containing the word performance:

    The honor my country shall never be stained by an apology from me for the statement of truth and the performance of duty; nor can I give any explanation of my official acts except such as is due to integrity and justice and consistent with the principles on which our institutions have been framed.
    Andrew Jackson (1767–1845)

    Kind are her answers,
    But her performance keeps no day;
    Breaks time, as dancers,
    From their own music when they stray.
    Thomas Campion (1567–1620)