Reception
Although the original printing of the Drapier's Letters resulted in the arrest of Harding and a bounty placed upon the Drapier's head, Swift's actions in defending Ireland were deemed heroic among the Irish citizenry. He was titled the "Hibernian patriot" for his actions. Some residents of Dublin placed banners and signs in the city to recognize Swift's deeds, and images from the letters, such as the Drapier comparing his campaign to David fighting Goliath, became themes in popular literature. Scholar Herbert Davis claims that by the end of 1725, Swift was "the Darling of the populace; His Image and Superscription on a great many Sign-Posts" in Ireland.
Swift did not fully embrace his popularity, but he enjoyed it. On his birthday, 30 November 1727, a large group of men came to St. Patrick's Cathedral to pray and afterwards celebrate throughout the city. This gathering commemorated Swift and his letters and also protested against the harsh British treatment of Ireland.
According to Robert Mahony, the Drapier's Letters, especially the fourth, were later praised by Irish nationalists. However, as he continued, many recent critics have re-examined this nationalistic claim and asserted a counterclaim that Swift is speaking more for the Protestants of Ireland than for the entire nation. Many critics, including Carol Fabricant, have asked who "the Whole People of Ireland" are, "who" the Drapier's Letters are speaking "to", and if Swift has the right, as a Protestant Englishman, to speak for the entire nation. R. F. Foster believes that Swift represented "Ascendancy attitudes," but this view is not held by all. Some critics, like Joep Leerssen, believe that Swift's work contributed greatly to a common Irish nationalism regardless of religious affiliation, and that Swift was able to relate to all of Ireland through a unified suffering under the British rule. In overall effect, Fabricant argued that Swift's ability to speak for the whole populace is further suggested by the wide consensus opposed to the coinage plan. Along with this, Swift was able to rhetorically extend natural rights, in the Drapier's Letters, to all people of Ireland without any regard to restriction.
Read more about this topic: Drapier's Letters
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)