Drama Film

A drama film is a film genre that depends mostly on in-depth development of realistic characters dealing with emotional themes. Dramatic themes such as alcoholism, drug addiction, infidelity, moral dilemmas, racial prejudice, religious intolerance, sexuality, poverty, class divisions, violence against women and corruption put the characters in conflict with themselves, others, society and even natural phenomena. Drama is the most broad of movies genres and includes subgenres as romantic drama, sport films, period drama, courtroom drama and crime.

At the center of a drama is usually a character or characters who are in conflict at a crucial moment in their lives. They often revolve around families; movies like Ordinary People dig under the skin of everyday life to ask big questions and touch on the deepest emotions of normal people. Dramas often, but not always, have tragic or at least painful resolutions and concern the survival of some tragic crisis, like the death of a family member (Terms of Endearment), or a divorce (Kramer vs Kramer). Some of the greatest screen performances come from dramas, as there is ample opportunity for actors to stretch into a role that most other genres cannot afford.

Drama films have been nominated frequently for the Academy Award (particularly Best Picture) - more than any other film genre.

Read more about Drama Film:  Sub-genres, Early Film-1950s, 1960s-1970s, 1980s-1990s, 2000s

Famous quotes containing the words drama and/or film:

    I had this advantage, at least, in my mode of life, over those who were obliged to look abroad for amusement, to society and the theatre, that my life itself was become my amusement and never ceased to be novel. It was a drama of many scenes and without an end.
    Henry David Thoreau (1817–1862)

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)