Career
Jones has worked as a contortionist. "You’d be surprised how many times that comes into play in commercials. They’ll want somebody to hold a box of Tide funny or something. I once squished into a box for a commercial for relaxed fit jeans".
Although known mostly for his work under prosthetic makeup, such as the zombie Billy Butcherson in the Disney Halloween film Hocus Pocus, or the lead Spy Morlock in the 2002 remake of the 1960 film The Time Machine, he has also performed without prosthetics in such films as Adaptation, Mystery Men and Batman Returns, and indie projects such as Stefan Haves' Stalled, AntiKaiser Productions' Three Lives, Phil Donlon's A Series of Small Things and as Cesare in David Fisher's 2005 remake of the 1920 silent classic The Cabinet of Dr. Caligari. He performed as Abe Sapien in Hellboy, although the voice was performed by an uncredited David Hyde Pierce. Explaining the challenge of working so often in rubber suits and prosthetics, he notes, "I have to make that a part of my being and my physicality and again, acting is a full body experience and that's a part of it when you're doing a costumed character."
In 2005, he renewed his association with Mexican director Guillermo del Toro, starring as the Faun in del Toro's multi-Oscar-winning Spanish language fantasy/horror project El Laberinto del Fauno (Pan's Labyrinth). He also has a secondary role in the film as 'The Pale Man', a gruesome creature with a penchant for eating children. Working once more under heavy prosthetics in both roles, he was also required to learn large amounts of dialogue in Spanish, though his voice was ultimately re-dubbed.
The year also brought success for The Cabinet of Dr. Caligari, the film receiving three awards at the Screamfest Horror Festival in Los Angeles, including the Audience Choice Award. In 2006 Jones appeared in the feature films The Benchwarmers and Lady in the Water, and reprised his role as Abe Sapien by voicing the character in the new Hellboy Animated television project, recording two 75-minute animated films.
In February 2007, Jones' likeness was used for Nvidia's "Human Head" tech demo.
In June 2007 Jones appeared in Fantastic Four: Rise of the Silver Surfer as the Silver Surfer (though Laurence Fishburne portrayed the character's voice). He reprised his role as Abe Sapien in Hellboy II: The Golden Army, once more under the direction of Guillermo del Toro, for which he played both the voice and body performance. He also played two other roles in the film: the Angel of Death and The Chamberlain, both under heavy prosthetics. In 2009, del Toro announced on BBC Radio that Jones would be playing the monster in his upcoming version of Frankenstein.
Jones starred as himself in Sockbaby 4, the fourth installment of the Internet martial arts comedy series Sockbaby.
According to Jones' official website, he will appear in the upcoming French-language film Gainsbourg (Vie héroïque), written and directed by French comic-book author Joann Sfar and produced by Universal Europe. Jones plays La Gueule, the grotesque fantasy muse that teases, guides and accompanies Gainsbourg throughout his life. He is working under prosthetics designed and created by the Oscar-winning Spanish FX shop DDT Efectos Especiales, with whom he worked on Pan's Labyrinth. The film was released in France on January 20, 2010.
In January 2010 Jones signed a book deal with Medallion Press to model a non-fiction comedic coffee table book called Mime Very Own Book, co-written by Adam Mock and Scott Allen Perry, and photographed by Eric Curtis. The book is due for publication in December 2011.
Jones plays Dr. Henry Vataber in the web series, Universal Dead. In late June 2010 it was announced that Universal Dead will be made into a feature film.
Jones appeared in the independent film, The Candy Shop, a "modern fairy tale" shedding light upon child sex trafficking created by the Georgia film studio, Whitestone Pictures.
Read more about this topic: Doug Jones (actor)
Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)