Doug Anthony All Stars - Style

Style

DAAS employed an aggressive, confrontational style, which author and journalist Geoff Bartlett describes as " the boundaries of humour and good taste to their absolute limits". They frequently delved into topical and taboo subject matter with songs such as "Commies for Christ" and "I Fuck Dogs". "Long before anyone knew the term, one of our greatest driving forces was to be politically incorrect," said Ferguson. Each band member developed distinctive onstage characters, with McDermott adopting a nasty, mean persona, while Ferguson played a narcissistic character who was "gorgeous but stupid". Fidler initially played the straight man, but as the group became more aggressive he developed into a character who was naturally happy and caring but frequently victimised by his fellow band members.

The group drew inspiration from short-lived punk bands like the Fat Sluts, The Lone Reagans and Forbidden Mule, whom Ferguson describes as "like all punk bands... very fast and furious." Much of the band's provocative style emerged from their origins as street performers, where in order to get people's attention they resorted to outrageous or theatrical tactics—the group would sometimes walk into the street and stop traffic to get noticed. "Sometimes we have to do really ugly or horrendous things to get people's attention, and we're not afraid to do that. We'll hit someone if it gets a bit of discourse going," said McDermott.

Neil Pigot, who did some work with the group, describes their style as "a sort of extension of the Python tradition, but very much in an Australian context." He says that DAAS were "crucially important" in the development of Australian comedy, directly contributing to the styles of successful comedy shows such as The D-Generation, Fast Forward and Wogs Out Of Work. At the time DAAS emerged, Pigot says, comedy in Australia was dominated by joke-tellers and impersonators. By contrast, DAAS were belligerent and confrontational, frequently attacking topical issues, invading people's personal space and involving the audience in their act. Mark Trevorrow, who frequently collaborated with the group, described their work as "true genius." "Their great shows were among the greatest evenings I've witnessed in my life and their worst shows were among the worst," he said. "They'd whip up an audience and appeal to people's darker side. It was very Dada, what they were doing. And what happens with that is you're just as often likely to have people who want to kill you as applaud you." In addition, ABC comedy producer Ted Robinson says that the group played an important role in raising the profile of Australian comedy overseas, particularly in Britain where DAAS were very popular.

DAAS were known for their tendency to tell outrageous lies to journalists during interviews and attempt to see them published as fact. In one of the best-known instances of this, the group told British reporters that their namesake, former Australian politician Doug Anthony, was a much-loved Prime Minister of Australia who had been assassinated on 11 November 1975, by right wing extremists. (In fact, Anthony is a former Deputy Prime Minister of Australia who had led the right-of-center National Party of Australia from 1971 to 1984.) The lie was printed in The Times, The Guardian and The Independent. This game continued undetected until in 1990 the group told a reporter that they had been cast in Batman and had become great friends with Jack Nicholson, both lies. The story was reported as fact in newspapers around Australia and appeared as a cover story in the TV guide of Melbourne's Herald Sun before the media realised the hoax.