Career
In 1936, she moved to Hollywood and began appearing regularly in films for Paramount Pictures. The role that made her a star was Ulah (a sort of female Tarzan) in The Jungle Princess (1936). She wore a sarong, which would become associated with her. While she first achieved stardom as a sex symbol, Lamour also showed talent as both a comic and dramatic actress. She was among the most popular actresses in motion pictures from 1936 to 1952.
She starred in the Road to... movie series with Bing Crosby and Bob Hope in the 1940s and 1950s. The movies were enormously popular during the 1940s, and they regularly placed among the top moneymaking films each year. While the films centered more on Hope and Crosby, Lamour held her own as their "straight man", and sang some of her most popular songs. Her contribution to the films was considered by the public and theater owners of equal importance to that of Crosby and Hope during the series' golden era, 1940-1952. The series essentially ended with the release of Road to Bali in 1952, with her career declining, while co-stars Hope and Crosby remained major show business figures.
During the World War II years, Lamour was among the most popular pinup girls among American servicemen, along with Betty Grable, Rita Hayworth, Lana Turner, and Veronica Lake. Lamour was also largely responsible for starting up the war bond tours in which movie stars would travel the country selling U.S. government bonds to the public. Lamour alone promoted the sale of over $21 million dollars' worth of war bonds, and other stars promoted the sale of a billion more.
Some of Lamour's other notable films include John Ford's The Hurricane (1937), Spawn of the North (1938; with George Raft, Henry Fonda, and John Barrymore), Disputed Passage (1939), Johnny Apollo (1940; with Tyrone Power), Aloma of the South Seas (1941), Beyond the Blue Horizon (1942), Dixie (1943; with Bing Crosby), A Medal for Benny (1945), My Favorite Brunette (1947; with Bob Hope), On Our Merry Way (1948) and a supporting role in the best picture Oscar-winner The Greatest Show on Earth (1952; with Charlton Heston). Her other leading men included William Holden, Ray Milland, James Stewart, Jack Benny, and Fred MacMurray.
Dorothy Lamour starred in a number of movie musicals and sang in many of her comedies and dramatic films as well. She introduced a number of standards, including "The Moon of Manakoora", "I Remember You", "It Could Happen to You", "Personality", and "But Beautiful".
Lamour's film career petered out in the early 1950s, and she began a new career as a nightclub entertainer and occasional stage actress. In the 1960s, she returned to the screen for secondary roles in three films, including John Ford's Donovan's Reef (1963) with John Wayne and Lee Marvin, and became more active in the legitimate theater, headlining a road company of Hello Dolly! for over a year near the end of the decade.
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Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)