Live Performances
The first performance of "Don't Let Me Be the Last to Know" was on March 8, 2000, during the Crazy 2k Tour in Pensacola, Florida, where Spears appeared onstage sitting on a magic carpet and flew over the audience while singing the song. After releasing her second studio album, Oops!... I Did It Again, Spears performed the song on the American music show TRL, on Saturday Night Live and on The View. She also performed the song live on 2000's Oops!... I Did It Again World Tour. After performing "Sometimes", she climbed the staircase and briefly spoke to the audience before moving into the performance of the song, for which she wore a long white dress trimmed with boa feathers. "Don't Let Me Be the Last to Know" was performed also on 2001's Dream Within a Dream Tour. The performance consisted on Spears singing the song on an elevated platform wearing an evening gown with artificial snow falling from the ceiling, while two of her dancers performed a routine.
Almost ten years later, "Don't Let Me Be the Last to Know" was peformed by Spears on her 2011's Femme Fatale Tour. The performance consists of Spears sitting on a swing singing the song, whilst a male dancer dances beneath her, at one point attaching himself by his feet to the swing whilst midair. Shirley Halperin of The Hollywood Reporter named it one of the best performances of the show along with "Piece of Me" and "3", stating that "ironically enough, were the ones with fewest frills." In a review of the special broadcasted by American premium television channel Epix of the tour, Jocelyn Vena of MTV summarized her thoughts about the performance saying, "It's rare these days to see Britney Spears show her soft side, but she takes a break from the nonstop, fist-pumping music during the spectacle that is the Femme Fatale Tour and kicks it old-school, showing us she still has the heart and soul to bust out a power ballad."
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Famous quotes containing the words live and/or performances:
“Until that time comes I’ll live a thousand hopes, die a thousand times.”
—Edward T. Lowe. Erle C. Kenton. Lawrence Talbot (Lon Chaney)
“At one of the later performances you asked why they called it a “miracle,”
Since nothing ever happened. That, of course, was the miracle
But you wanted to know why so much action took on so much life
And still managed to remain itself, aloof, smiling and courteous.”
—John Ashbery (b. 1927)