Art Theory
He considered there to be a Northern school, represented by Zhe, and a Southern school represented by literati painters. These names are misleading as they refer to Northern and Southern schools of Chan Buddhism thought rather than geographic areas. Hence a Northern painter could be geographically from the south and a Southern painter geographically from the north. In any event he strongly favored the Southern school and dismissed the Northern school as superficial or merely decorative.
His ideal of Southern school painting was one where the artist forms a new style of individualistic painting by building on and transforming the style of a traditional master. This was to correspond with sudden enlightenment, as favored by Southern Chan Buddhism. By relating to the ancient masters style, the artist is to create a place for themselves within the tradition, not by mere imitation, but by extending and even surpassing the art of the past. Dong's theories, combining veneration of past masters, but also a creative forward looking spark, would be very influential on Qing Dynasty artists.
Read more about this topic: Dong Qichang
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