Return To Acting
With the advent of sound in films, Crisp abandoned directing and devoted himself entirely to acting after 1930. He became a much sought after character actor. Throughout the 1930s and 1940s, he appeared in a wide range of roles alongside some of the era's biggest stars, including Katharine Hepburn in The Little Minister (1934), Charles Laughton and Clark Gable in Mutiny on the Bounty (1935), Bette Davis and Henry Fonda in That Certain Woman (1937), Laurence Olivier in Wuthering Heights (1939), Errol Flynn in The Private Lives of Elizabeth and Essex (1939) and The Sea Hawk (1940) and Gregory Peck in The Valley of Decision (1945).
A versatile supporting actor, Crisp could be equally good in either lovable or sinister roles. During the same period he was playing loving father figures or charming old codgers in classic films like National Velvet and Lassie Come Home, he also turned in a well received performance as Commander Beach, the tormented presumptive grandfather in Lewis Allen's The Uninvited (1944). Undoubtedly, however, Crisp's most memorable role was as the taciturn but loving father in How Green Was My Valley (1941) directed by John Ford. The film received ten Oscar nominations, winning five, including Best Picture with Crisp winning the Oscar for Best Supporting Actor in 1941.
Read more about this topic: Donald Crisp
Famous quotes containing the words return to, return and/or acting:
“Return to her? and fifty men dismissed?
No, rather I abjure all roofs, and choose
To wage against the enmity o’ th’ air,
To be a comrade with the wolf and owl—
Necessity’s sharp pinch.”
—William Shakespeare (1564–1616)
“East and west on fields forgotten
Bleach the bones of comrades slain,
Lovely lads and dead and rotten;
None that go return again.”
—A.E. (Alfred Edward)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)