Career
In 1961, Barthelme became director of the Contemporary Arts Museum in Houston; he published his first short story the same year. His New Yorker publication, "L'Lapse," a parody of Michelangelo Antonioni's film L'Eclisse, followed in 1963. The magazine would go on to publish much of Barthelme's early output, including such now famous stories as "Me and Miss Mandible," the tale of a 35-year old sent to elementary school by either a clerical error or failing at his job as an insurance adjuster and failing in his marriage, and "A Shower of Gold," in which a sculptor agrees to appear on the existentialist game show Who Am I?. In 1964, Barthelme collected his early stories in Come Back, Dr. Caligari, for which he received considerable critical acclaim as an innovator of the short story form. His style (fictional and popular figures in absurd situations, e.g., the Batman-inspired "The Joker's Greatest Triumph"), spawned a number of imitators and would help to define the next several decades of short fiction.
Barthelme continued his success in the short story form with Unspeakable Practices, Unnatural Acts (1968). One widely anthologized story from this collection, "The Balloon," appears to reflect on Barthelme's own intentions as an artist. The narrator of the tale inflates a giant, irregular balloon over most of Manhattan, causing widely divergent reactions in the populace. Children play across its top, enjoying it quite literally on a surface level; adults attempt to read meaning into it, but are baffled by its ever-changing shape; the authorities attempt to destroy it, but fail. Only in the final paragraph does the reader learn that the narrator has inflated the balloon for purely personal reasons, and sees no intrinsic meaning in the balloon itself, a metaphor for the amorphous, uncertain nature of Barthelme's fiction. Other notable stories from this collection include "The Indian Uprising," a mad collage of a Comanche attack on a modern city, and "Robert Kennedy Saved From Drowning," a series of vignettes showing the difficulties of truly knowing a public figure; the latter story appeared in print only two months before the real Kennedy's 1968 assassination.
Barthelme would go on to write over a hundred more short stories, first collected in City Life (1970), Sadness (1972), Amateurs (1976), Great Days (1979), and Overnight to Many Distant Cities (1983). Many of these stories were later reprinted and slightly revised for the collections Sixty Stories (1981), Forty Stories (1987) and, posthumously, Flying to America (2007). Though primarily known for these stories, Barthelme also produced four novels characterized by the same fragmentary style: Snow White (1967), The Dead Father (1975), Paradise (1986), and The King (1990, posthumous).
Barthelme also wrote the non-fictional Guilty Pleasures (1974). His other writings have been posthumously gathered into two collections, The Teachings of Don B.: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992), and Not-Knowing: The Essays and Interviews (1997). With his daughter, he wrote the children's book The Slightly Irregular Fire Engine, which received the 1972 National Book Award in category Children's Books. He was also a director of PEN and the Author's Guild, and a member of the American Academy and Institute of Arts and Letters.
Read more about this topic: Donald Barthelme
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)