History
Traditionally, the medium of a document was paper and the information was applied to it as ink, either by hand (to make a hand-written document) or by a mechanical process (such as a printing press or, more recently, a laser printer).
Through time, documents have also been written with ink on papyrus (starting in ancient Egypt) or parchment; scratched as runes on stone using a sharp apparatus; stamped or cut into clay and then baked to make clay tablets (e.g., in the Sumerian and other Mesopotamian civilisations). The paper, papyrus or parchment might be rolled up as a scroll or cut into sheets and bound into a book. Today short documents might also consist of sheets of paper stapled together.
Modern electronic means of storing and displaying documents include:
- desktop computer and monitor (or laptop, tablet PC, etc.); optionally with a printer to obtain a hard copy
- Personal digital assistant (PDA)
- dedicated e-book device
- electronic paper
- information appliances
- digital audio players
- radio and television service provider
Digital documents usually have to adhere to a specific file format in order to be useful.
That documents cannot be defined by their transmission medium
Read more about this topic: Document
Famous quotes containing the word history:
“The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?”
—Ralph Waldo Emerson (1803–1882)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)