Doc Savage: The Man of Bronze - Plot

Plot

Doc Savage (Ron Ely) returns to New York City following a visit to his Arctic hideaway. He learns that his father has died under mysterious circumstances while exploring the remote interior of the Central American Republic of Hidalgo. While examining his father's personal papers, Doc finds himself the target of an assassination attempt. Doc Savage chases and corners the sniper on the nearby Eastern Craymore Building, but the would-be assassin loses his footing and falls to his death. Examining the body, Doc discovers that his assailant is a Native American with peculiar markings; his fingertips are red, as if dipped in blood, while his chest bears an elaborate tattoo of the ancient Mayan god Kukulcan. Returning to his penthouse headquarters, Doc finds that intruders have destroyed his father's personal papers. Vowing to solve his father's murder, Doc Savage flies to Hidalgo with "The Fabulous Five", his brain trust, at his side.

Waiting for Doc Savage's arrival is the international criminal and smuggler Captain Seas (Paul Wexler) who repeatedly attempts to kill Doc and his friends, culminating in a wild melee onboard his yacht, the Seven Seas. Meanwhile, Doc's investigation uncovers that, years ago, Professor Savage received a vast land grant in the unexplored interior of Hidalgo from the Quetzamal, a Mayan tribe that disappeared 500 years ago. However, Don Rubio Gorro (Bob Corso) of the local government informs Doc that all records to the land transaction are missing. Doc receives unexpected help from Gorro's assistant, Mona Flores (Pamela Hensley), who saw the original papers and offers to lead Doc and his friends to the land claim.

Following clues left by his father, Doc and his friends locate the hidden entrance into a valley where the lost Quetzamal tribe lives. Doc separates from the group and finds a pool of molten gold. Doc also learns that Captain Seas is using the Quetzamal natives as slave labor to extract the gold for himself. Meanwhile, Seas' men capture Mona and The Fabulous Five, and Seas unleashes the Green Death, the same airborne plague that killed Doc's father and keeps the Quetzamal tribe under his control. Doc overpowers the Captain after a protracted clash of different fighting styles and forces Seas to release his friends, whom Doc then treats with a special antidote. Seeing their leader captured, the Captain's men try to escape with the gold, but exploding dynamite causes the pool of gold to erupt, covering the henchmen, including Don Rubio Gorro, in molten metal. Freed from Captain Seas, Chief Chaac (Victor Millan) offers the gold and land grant to Doc, who replies, "I promise to continue my father's work ... his ideals. With this limitless wealth at my disposal, I shall be able to devote my life to the cause of justice."

Doc Savage returns to the United States and performs acupuncture brain surgery on Captain Seas to cure him of his criminal behavior. Later, during Christmas season, Doc Savage encounters the former supervillain, who is now a bandleader for the Salvation Army, flanked by his former paramours Adriana and Karen. Arriving back at his penthouse headquarters from shopping, Doc hears an urgent message about a new threat that could cost millions of lives. Doc Savage leaps into action and speeds to his next adventure.

Read more about this topic:  Doc Savage: The Man Of Bronze

Famous quotes containing the word plot:

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)

    “The plot thickens,” he said, as I entered.
    Sir Arthur Conan Doyle (1859–1930)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)