Theoretical Foundations and Development
Divisionism developed in nineteenth century painting as artists discovered scientific theories of vision which encouraged a departure from the tenets of Impressionism, which at that point had been well-developed. The scientific theories and rules of color contrast that would guide composition for divisionists placed the movement of Neo-Impressionism in contrast with Impressionism, which is characterized by the use instinct and intuition. Scientists or artists whose theories of light or color had some impact on the development of divisionism include Charles Henry, Charles Blanc, David Pierre Giottino Humbert de Superville, David Sutter, Michel Eugène Chevreul, Ogden Rood and Hermann von Helmholtz.
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