Discrete Series Representation - Limit of Discrete Series Representations

Limit of Discrete Series Representations

Points v in the coset L + ρ orthogonal to roots of G do not correspond to discrete series representations, but those not orthogonal to roots of K are related to certain irreducible representations called limit of discrete series representations. There is such a representation for every pair (v,C) where v is a vector of L + ρ orthogonal to some root of G but no orthogonal to any root of K corresponding to a wall of C, and C is a Weyl chamber of G containing v. (In the case of discrete series representations there is only one Weyl chamber containing v so it is not necessary to include it explicitly.) Two pairs (v,C) give the same limit of discrete series representation if and only if they are conjugate under the Weyl group of K. Just as for discrete series representations v gives the infinitesimal character. There are at most |WG|/|WK| limit of discrete series representations with any given infinitesimal character.

Limit of discrete series representations are tempered representations, which means roughly that they only just fail to be discrete series representations

Read more about this topic:  Discrete Series Representation

Famous quotes containing the words limit of, limit, discrete and/or series:

    ... there are two types of happiness and I have chosen that of the murderers. For I am happy. There was a time when I thought I had reached the limit of distress. Beyond that limit, there is a sterile and magnificent happiness.
    Albert Camus (1913–1960)

    We are rarely able to interact only with folks like ourselves, who think as we do. No matter how much some of us deny this reality and long for the safety and familiarity of sameness, inclusive ways of knowing and living offer us the only true way to emancipate ourselves from the divisions that limit our minds and imaginations.
    bell hooks (b. 1955)

    The mastery of one’s phonemes may be compared to the violinist’s mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbor’s renderings indulgently, mentally rectifying the more glaring inaccuracies.
    W.V. Quine (b. 1908)

    A sophistical rhetorician, inebriated with the exuberance of his own verbosity, and gifted with an egotistical imagination that can at all times command an interminable and inconsistent series of arguments to malign an opponent and to glorify himself.
    Benjamin Disraeli (1804–1881)