Discography Of The Streets Of Rage Series
The Streets of Rage series of beat 'em up action video games, released by Sega from 1991 to 1994, are known for their memorable in-game chiptune music, produced by noted video game music composer Yuzo Koshiro. The series has inspired three soundtracks featuring music from the games.
The soundtracks mainly consist of, often experimental, chiptune-based electronic dance music, encompassing electronic genres such as electro, house, techno, hardcore, jungle, ambient, breakbeat, gabber, noise, and trance. The music was produced using the Yamaha FM-synth sound chips of the Sega Mega Drive / Genesis video game console (YM2612) and NEC PC-88 computer (YM2608), along with Koshiro's own audio programming language "Music Love," a modified version of the PC-88's Music Macro Language (MML).
The soundtracks have been critically acclaimed. They are considered ahead of their time, and as some of the best video game music of all time. The soundtracks have influenced a range of chiptune, electronica, grime and dubstep musicians through to the present day, including artists such as Ikonika, BT, Labrinth, Martyn, Joker, Darkstar, Childish Gambino, and Danger.
Read more about Discography Of The Streets Of Rage Series: Streets of Rage Soundtrack, Streets of Rage 2 Soundtrack, Streets of Rage 3 Soundtrack
Famous quotes containing the words streets, rage and/or series:
“On the day that will always belong to you,
lunar clockwork had faltered
and I was certain. Walking
the streets of Manhattan I thought:
Remember this day. I felt already
like an urn, filling with wine.”
—Rita Dove (b. 1952)
“... a friend told me that she had read of a woman who had knitted a wash rag for President Wilson. She was eighty years old and her friends thought it remarkable that she could knit a wash rag! I thought that if a woman of eighty could knit a wash rage for a Democratic President it behooved one of ninety-six to make something more than a wash rag for a Republican President.”
—Maria D. Brown (1827–1927)
“The professional celebrity, male and female, is the crowning result of the star system of a society that makes a fetish of competition. In America, this system is carried to the point where a man who can knock a small white ball into a series of holes in the ground with more efficiency than anyone else thereby gains social access to the President of the United States.”
—C. Wright Mills (1916–1962)