Story
The game focuses on the central character Lieutenant Mike Wired, who is caught in an intense dogfight during World War II. With nowhere to go, Mike appears to be doomed until he is suddenly teleported into the sky in the 3,000,000's, and must defend himself against an army of flying prehistoric predators.
When he makes it to the main land, he sees more dinosaurs and must battle them single handedly with whatever weapons he can acquire. He hears a voice on his new wrist communicator, telling him to find a girl called Paula. When he does find Paula, she simply replies with "Trinity" before more dinosaurs appear. Trinity is actually a dinosaur, (a Troodon, to be precise), with significant intelligence and it can send other dinosaurs to attack the player, as it does during a boss fight.
Eventually, Mike sees Paula is trapped in a ravine and is able to save her. After they escape in a jeep through an empty town, it is revealed that the man talking to Mike is Dylan Morton from Dino Crisis 2 and he is also Paula's father.
After the fight is over, Mike is sent back to his own time, in the same plane fight he was in at the beginning of the game. A rival plane shoots him down, and as he parachutes out, bullets are shown about to hit Mike right before Paula teleports the bullets elsewhere. The game ends with Mike being rescued by a boat.
Read more about this topic: Dino Stalker
Famous quotes containing the word story:
“Today one does not hear much about him.... The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates.”
—Vladimir Nabokov (1899–1977)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“One of the necessary qualifications of an efficient business man in these days of industrial literature seems to be the ability to write, in clear and idiomatic English, a 1,000-word story on how efficient he is and how he got that way.... It seems that the entire business world were devoting its working hours to the creation of a school of introspective literature.”
—Robert Benchley (1889–1945)