Story
The game focuses on the central character Lieutenant Mike Wired, who is caught in an intense dogfight during World War II. With nowhere to go, Mike appears to be doomed until he is suddenly teleported into the sky in the 3,000,000's, and must defend himself against an army of flying prehistoric predators.
When he makes it to the main land, he sees more dinosaurs and must battle them single handedly with whatever weapons he can acquire. He hears a voice on his new wrist communicator, telling him to find a girl called Paula. When he does find Paula, she simply replies with "Trinity" before more dinosaurs appear. Trinity is actually a dinosaur, (a Troodon, to be precise), with significant intelligence and it can send other dinosaurs to attack the player, as it does during a boss fight.
Eventually, Mike sees Paula is trapped in a ravine and is able to save her. After they escape in a jeep through an empty town, it is revealed that the man talking to Mike is Dylan Morton from Dino Crisis 2 and he is also Paula's father.
After the fight is over, Mike is sent back to his own time, in the same plane fight he was in at the beginning of the game. A rival plane shoots him down, and as he parachutes out, bullets are shown about to hit Mike right before Paula teleports the bullets elsewhere. The game ends with Mike being rescued by a boat.
Read more about this topic: Dino Stalker
Famous quotes containing the word story:
“I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.”
—Fred Rogers (20th century)
“The face of the water, in time, became a wonderful book—a book that was a dead language to the uneducated passenger, but which told its mind to me without reserve, delivering its most cherished secrets as clearly as if it uttered them with a voice. And it was not a book to be read once and thrown aside, for it had a new story to tell every day.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The child ... stands upon a place apart, a little spectator of the world, before whom men and women come and go, events fall out, years open their slow story and are noted or let go as his mood chances to serve them. The play touches him not. He but looks on, thinks his own thought, and turns away, not even expecting his cue to enter the plot and speak. He waits,—he knows not for what.”
—Woodrow Wilson (1856–1924)