Plot
Pearl Tull is a rigid perfectionist. She has 3 children with her husband, traveling salesman Beck, who abandons the family. After Beck leaves, Pearl struggles to maintain a front as if nothing is wrong. Cody, the oldest, is wild and adventurous, but is envious of his brother Ezra, whom he believes is Pearl's favorite. As they grow up, this plays out in endless pranks. Ezra is passive, and never tries to get back at Cody. He is nurturing and sweet, traits that often interest Cody's girlfriends, furthering Cody's resentment. Ezra goes to work at a restaurant, which he later manages and ultimately inherits, while Cody becomes a wealthy and successful efficiency expert. When Ezra becomes engaged to Ruth, his star cook, Cody becomes obsessed with luring her away, and ultimately succeeds, but his marriage to Ruth is not easy. Ezra never recovers, and remains at home with Pearl; he is a caregiver, both for Pearl and his customers, but this is underlain by sadness.
Jenny is the third child and the most scholarly of the Tulls, but in college, she marries on an impulse with unhappy results. Only in her third marriage to a man with 6 children whose wife has abandoned him does she find stability in family life and in her successful, if harried, career as a pediatrician.
A recurring scene in the novel involves Ezra's unsuccessful attempts to bring the family together for a meal at his "Homesick Restaurant", reflecting his desire to unite and mend the family. At Pearl's funeral, Beck returns to the family for the first time. However, they never seem to be able to get through a single dinner without conflict, this time with Cody facing down his father.
|
Read more about this topic: Dinner At The Homesick Restaurant
Famous quotes containing the word plot:
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)