War With The North and Status As Refugees
The Dinka's religions, beliefs and lifestyle have led to conflict with the Arab Muslim colonial government in Khartoum. The Sudan People's Liberation Army, led by late Dr. John Garang De Mabior, a Dinka, took arms against the government in 1983. During the subsequent 21-year civil war, many thousands of Dinka, along with fellow non-Dinka southerners, were massacred by government forces. The Dinka have also engaged in a separate civil war with the Nuer.
Sizable groups of Dinka refugees may be found in distant lands, including Jacksonville, Florida and Clarkston, a working-class suburb of Atlanta, Georgia and in the Midwest such as Omaha NE, Des Moines IA, Sioux Falls SD, and Kansas MO, as well as Edmonton in Canada.
The experience of Dinka refugees was portrayed in the documentary movies Lost Boys of Sudan by Megan Mylan and Jon Shenk and God Grew Tired Of Us, Joan Hechts' book The Journey of the Lost Boys and the fictionalized autobiography of a Dinka refugee, Dave Eggers' What Is the What: The Autobiography of Valentino Achak Deng. Other books on and by the Lost Boys include The Lost Boys of Sudan by Mark Bixler, God Grew Tired of Us by John Bul Dau, and They Poured Fire On Us From The Sky by Alephonsion Deng, Benson Deng, and Benjamin Ajak. In 2004 the first volume of the graphic novel 'Echoes of the Lost Boys of Sudan' was released in Dallas, Texas, United States, chronicling in art and dialogue four lost boys' escapes from the destruction of their hometowns in South Sudan. The Florida ska punk group, Against All Authority refers to the Dinka clan in the song "Dinkas When I Close My Eyes" from their album 24 Hour Roadside Resistance.
Read more about this topic: Dinka People
Famous quotes containing the words war with, war, north, status and/or refugees:
“We have always said that in our war with the Arabs we had a secret weapon—no alternative.”
—Golda Meir (1898–1978)
“Their bodies are buried in peace; but their name liveth for evermore.”
—Apocrypha. Ecclesiasticus, 44:14.
The line “their name liveth for evermore” was chosen by Rudyard Kipling on behalf of the Imperial War Graves Commission as an epitaph to be used in Commonwealth War Cemeteries. Kipling had himself lost a son in the fighting.
“It is the sea that whitens the roof.
The sea drifts through the winter air.
It is the sea that the north wind makes.
The sea is in the falling snow.
This gloom is the darkness of the sea.”
—Wallace Stevens (1879–1955)
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)
“The exile is a singular, whereas refugees tend to be thought of in the mass. Armenian refugees, Jewish refugees, refugees from Franco Spain. But a political leader or artistic figure is an exile. Thomas Mann yesterday, Theodorakis today. Exile is the noble and dignified term, while a refugee is more hapless.... What is implied in these nuances of social standing is the respect we pay to choice. The exile appears to have made a decision, while the refugee is the very image of helplessness.”
—Mary McCarthy (1912–1989)