War With The North and Status As Refugees
The Dinka's religions, beliefs and lifestyle have led to conflict with the Arab Muslim colonial government in Khartoum. The Sudan People's Liberation Army, led by late Dr. John Garang De Mabior, a Dinka, took arms against the government in 1983. During the subsequent 21-year civil war, many thousands of Dinka, along with fellow non-Dinka southerners, were massacred by government forces. The Dinka have also engaged in a separate civil war with the Nuer.
Sizable groups of Dinka refugees may be found in distant lands, including Jacksonville, Florida and Clarkston, a working-class suburb of Atlanta, Georgia and in the Midwest such as Omaha NE, Des Moines IA, Sioux Falls SD, and Kansas MO, as well as Edmonton in Canada.
The experience of Dinka refugees was portrayed in the documentary movies Lost Boys of Sudan by Megan Mylan and Jon Shenk and God Grew Tired Of Us, Joan Hechts' book The Journey of the Lost Boys and the fictionalized autobiography of a Dinka refugee, Dave Eggers' What Is the What: The Autobiography of Valentino Achak Deng. Other books on and by the Lost Boys include The Lost Boys of Sudan by Mark Bixler, God Grew Tired of Us by John Bul Dau, and They Poured Fire On Us From The Sky by Alephonsion Deng, Benson Deng, and Benjamin Ajak. In 2004 the first volume of the graphic novel 'Echoes of the Lost Boys of Sudan' was released in Dallas, Texas, United States, chronicling in art and dialogue four lost boys' escapes from the destruction of their hometowns in South Sudan. The Florida ska punk group, Against All Authority refers to the Dinka clan in the song "Dinkas When I Close My Eyes" from their album 24 Hour Roadside Resistance.
Read more about this topic: Dinka People
Famous quotes containing the words war, north, status and/or refugees:
“It was the most ungrateful and unjust act ever perpetrated by a republic upon a class of citizens who had worked and sacrificed and suffered as did the women of this nation in the struggle of the Civil War only to be rewarded at its close by such unspeakable degradation as to be reduced to the plane of subjects to enfranchised slaves.”
—Anna Howard Shaw (1847–1919)
“The recent attempt to secure a charter from the State of North Dakota for a lottery company, the pending effort to obtain from the State of Louisiana a renewal of the charter of the Louisiana State Lottery, and the establishment of one or more lottery companies at Mexican towns near our border, have served the good purpose of calling public attention to an evil of vast proportions.”
—Benjamin Harrison (1833–1901)
“Knowing how beleaguered working mothers truly are—knowing because I am one of them—I am still amazed at how one need only say “I work” to be forgiven all expectation, to be assigned almost a handicapped status that no decent human being would burden further with demands. “I work” has become the universally accepted excuse, invoked as an all-purpose explanation for bowing out, not participating, letting others down, or otherwise behaving inexcusably.”
—Melinda M. Marshall (20th century)
“The exile is a singular, whereas refugees tend to be thought of in the mass. Armenian refugees, Jewish refugees, refugees from Franco Spain. But a political leader or artistic figure is an exile. Thomas Mann yesterday, Theodorakis today. Exile is the noble and dignified term, while a refugee is more hapless.... What is implied in these nuances of social standing is the respect we pay to choice. The exile appears to have made a decision, while the refugee is the very image of helplessness.”
—Mary McCarthy (1912–1989)