Plot
A stylish, very attractive young woman, Celestine (Jeanne Moreau), arrives from Paris to become chambermaid for an odd family at their country chateau. The period is mid-1930s, and the populace is astir with extremist politics, right and left. The Monteil's household consists of a childless couple, the frigid wife's elderly, genteel father, and several servants, including Joseph the driver/groundskeeper (Georges Géret) who's a rightist, nationalist, anti-Semitic, violent man. The wife (Françoise Lugagne) runs a rigidly tidy house; she would like to please her virile husband physically, but cannot, due to pelvic "pain." M. Monteil (Michel Piccoli} amuses himself by hunting small game and pursuing all the females within range – the previous chambermaid seems to have left pregnant and had to be "bought off."
The wife's father amuses himself with his collection of racy postcards and novels, and a closet full of women's shoes and boots, that he likes his chambermaids to model. Their next-door neighbor (Daniel Ivernel) is a burly, retired Army officer, with a chubby maid/mistress (Gilberte Géniat), and a violent streak of his own – he likes to throw refuse and stones over the fence, to the great annoyance of M. Monteil. Celestine almost immediately finds her role in the house completely defined by the sexual proclivities of the other characters, and she proceeds to use her own considerable sexual assets to accomplish her goals.
The elderly father, M. Rabour (Jean Ozenne), is found dead in bed, dissheveled, clutching some boots that Celestine had worn earlier that evening; and Celestine decides to leave the job the next day. Previously, however, she had become motherly and protective of a sweet pre-pubescent girl named Claire (Dominique Sauvage) who visited the house; after the girl's raped and mutilated body is found in a nearby wood, Celestine decides to stay on at the job, in order to get revenge on the murderer. She quickly finds reason to suspect the groundskeeper Joseph. She seduces and promises to marry him and join him to run a cafe in Cherbourg, so he will confess the crime to her, which he does not. She then contrives and plants evidence to implicate him in the girl's murder. He is arrested, but eventually released for lack of solid evidence, although there is a suggestion that the real reason is his nativist political activism. Meanwhile Celestine agrees to marry the elderly ex-Army-officer neighbor, and after the marriage, we see him serving her breakfast in bed and obeying her commands. The final scene shows a crowd of nationalistic men marching past the Cherbourg cafe run by Joseph, who is shouting rightist slogans.
Read more about this topic: Diary Of A Chambermaid (1964 Film)
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)