Diana Damrau - Key Performances

Key Performances

  • La Scala: Europa riconosciuta* (Europa), The Marriage of Figaro (Susanna)
  • Metropolitan Opera: The Magic Flute (Queen of the Night and Pamina), Ariadne auf Naxos (Zerbinetta), Il barbiere di Siviglia* (Rosina), Die ägyptische Helena* (Aithra), Die Entführung aus dem Serail (Konstanze), Lucia di Lammermoor (Lucia), Rigoletto* (Gilda), La fille du régiment (Marie), Le comte Ory* (Adèle), L'elisir d'amore (Adina)
  • The Royal Opera: The Magic Flute* (Queen of the Night), Arabella* (Fiakermilli), Ariadne auf Naxos (Zerbinetta), 1984* (Gym Instructor / Drunken Woman), Hänsel und Gretel* (Gretel), L'elisir d'amore (Adina)
  • Vienna State Opera: Die Fledermaus (Adele), Rigoletto (Gilda), Ariadne auf Naxos (Zerbinetta), Der Riese vom Steinfeld* by Cerha (Small Woman), The Marriage of Figaro (Susanna), Die Entführung aus dem Serail* (Konstanze), The Magic Flute (Queen of the Night), Il barbiere di Siviglia (Rosina), Manon (Manon), Lucia di Lammermoor (Lucia)
  • Salzburg Festival: Die Entführung aus dem Serail* (Blondchen / Konstanze), Ascanio in Alba* (Fauno), The Magic Flute* (Queen of the Night), The Marriage of Figaro (Susanna)
  • Bavarian State Opera, Munich: Les contes d'Hoffmann* (Olympia/Antonia/Giulietta/Stella), Die schweigsame Frau* (Aminta), The Magic Flute (Queen of the Night), Die Entführung aus dem Serail* (Konstanze), Arabella (Zdenka), Ariadne auf Naxos*(Zerbinetta), Rigoletto* (Gilda), The Marriage of Figaro (Susanna), Der Rosenkavalier (Sophie), Fidelio (Marzelline), Der Freischütz (Ännchen), Die Fledermaus (Adele)

NB: * indicates a new production of the piece

Read more about this topic:  Diana Damrau

Famous quotes containing the words key and/or performances:

    “Japanese mothers credit “effort” as the key determinant of a child’s achievement in school, while American mothers name “ability” as the more important factor.”
    —Perry Garfinkel (20th century)

    “This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
    —Dorothy Parker (1893–1967)