Production
Marc Cherry wrote the script for the Housewives pilot and his agent appealed it to six networks, (CBS, NBC, Fox, HBO, Showtime and Lifetime) only to have all of them turn it down. Later, after his previous agent was arrested for embezzlement, he hired a team of new agents, who saw the script "as a soap opera with dark comedy in it". After Cherry edited parts of the pilot script and pitched it to ABC, network executives were impressed, causing ABC to order 13 episodes. Filming for the season started around March 2004 at the Universal Studios Hollywood backlot Colonial Street.
This season was produced by Touchstone Television (now ABC Studios) and Cherry Productions and aired on the ABC network. The executive producers were Cherry, Michael Edelstein, Charles Pratt Jr., and Tom Spezialy with Pratt Jr., Chris Black, Oliver Goldstick, Joey Murphy, and John Pardee serving as consulting producers. The staff writers were Cherry, Goldstick, Spezialy, Pardee, Murphy, and Black; producers Alexandra Cunningham, Tracey Stern, and Patty Lin; co-executive producer Kevin Murphy, Jenna Bans, David Schulner, Adam Barr, Katie Ford, and Joshua Senter. Regular directors throughout the season included Charles McDougall, Arlene Sanford, Larry Shaw, Jeff Melman, Fred Gerber, David Grossman, and John David Coles. Its orchestral score was composed by Steve Bartek and Steve Jablonsky, while the series' theme was composed by Danny Elfman. Cherry also served as the season's show runner.
Read more about this topic: Desperate Housewives (season 1)
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)