Design Museum - Design Museum Brit Insurance Designs of The Year

Design Museum Brit Insurance Designs of The Year

Brit Insurance Designs of the Year is the Design Museum’s annual exploration of the most innovative, interesting and forward looking designs produced over the last twelve months from around the world and celebrated in seven categories: Architecture, Transport, Graphics, Interactive, Product, Furniture and Fashion. A number of internationally respected design experts are invited to nominate up to five projects, each of which, in their view, represents the best or the most interesting designs produced or launched in the last year.

A judging panel made up of renowned design experts decide the best entries in the seven categories, with Individual category award-winners announced in February to then go forward to compete to be the Brit Insurance Designer of the Year, which is announced at an Awards Dinner in March.

The Brit Insurance Designs of the Year exhibition, showcasing all the shortlisted designs is held annually at the Design Museum.

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Famous quotes containing the words design, museum, insurance, designs and/or year:

    Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you.
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    When I go into a museum and see the mummies wrapped in their linen bandages, I see that the lives of men began to need reform as long ago as when they walked the earth. I come out into the streets, and meet men who declare that the time is near at hand for the redemption of the race. But as men lived in Thebes, so do they live in Dunstable today.
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    Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.
    John Dos Passos (1896–1970)

    I have no scheme about it,—no designs on men at all; and, if I had, my mode would be to tempt them with the fruit, and not with the manure. To what end do I lead a simple life at all, pray? That I may teach others to simplify their lives?—and so all our lives be simplified merely, like an algebraic formula? Or not, rather, that I may make use of the ground I have cleared, to live more worthily and profitably?
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