Gallery
-
Benedetto Antelami.
Deposition from the Cross (1178). Carved stone relief.
-
Externsteine Relief (12th century). Natural sandstone.
-
Limbourg brothers.
The Deposition, Les Très Riches Heures du duc de Berry, Folio 156v (c. 1410). Illuminated manuscript.
-
Fra Angelico.
Deposition of Christ, Fra Angelico (1437-1440). Tempera on wood, 176 x 185 cm.
-
Anonymous.
Deposition of the Cross
-
The prayer Obsecro te (1470s), from the Book of Hours of Angers
-
Descent from the Cross (1495), from Ss. Johns' church in Toruń.
-
Pietro Perugino.
Deposition (1495)
-
Anonymous.
Vilar de Donas stone altarpice (16th century)
-
Guglielmo della Porta.
Deposition (16th century). Marble.
-
Rosso Fiorentino.
Deposition (1521). Oil on wood, 375 × 196 cm.
-
Jacopo Pontormo.
The Deposition from the Cross (1528). Oil on wood, 313 × 192 cm.
-
Agnolo di Cosimo ("Bronzino")
Deposition of Christ (1540-1545) Oil on wood, 268 × 173 cm
-
Caravaggio.
The Entombment of Christ (1604).
-
Simone Peterzano, Deposition of Christ, church of San Fedele, Milan
-
Peter Paul Rubens.
The Descent from the Cross (c. 1612). Oil on wood 420.5 × 320 cm
-
Rembrandt van Rijn.
Deposition (1633). Oil on wood. 89.4 × 65.2 cm.
-
Jean Jouvenet, The Descent from the Cross (1697).
-
The Deposition from the Cross (18th century). Clay statues.
-
Jean-Baptiste Regnault.
Deposition (c. 1789). Oil on panel
-
Deposition. Carved and painted stone.
-
frères Avondo
Deposition. Fresco.
-
Cluny Abbey
Deposition with Twelve Apostles (bishop's mitre). Ink on cloth
-
Antonio Ciseri.
The Deposition of Christ (c. 1883) -
Antimension (1890). Printed on silk.
-
Viktor Vasnetsov
Entombment, (1896). Mural.
-
Deposition: His body taken down from the cross (modern). Carved stone.
-
Ludvig Karsten.
Nedtagelsen (Deposition) (1925). Oil on canvas. -
Jacek Andrzej Rossakiewicz.
The Deposition (St John Passion - 7) (1990). Oil on canvas, 245 x 140 cm -
Titian, 1559
Read more about this topic: Descent From The Cross
Famous quotes containing the word gallery:
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (182595)