In Fiction
The concept of demarchy played an important role in Frederik Pohl's science fiction novel The Years of the City, which is set in a near-future New York City. In the novel, all government offices, including the President, Congress, and the Supreme Court, are filled by average citizens chosen using a form of selective service. Appointees are aided in their duties by android-like Digital Colleagues, extensive computer databases, and an overall goal of reducing bureaucracy and legislation rather than creating more. The last of the book's five sections (Gwenanda and the Supremes) focuses on the story of a Supreme Court Justice.
In Alastair Reynolds' Revelation Space series of novels the concept of demarchy has been used to flatten hierarchies. Here, in one of the human factions—the demarchists—everyone is theoretically equal in the realm of government and all major political related issues are voted upon by everyone via neural implant. The "demarchy" in this society is actually more of a direct democracy. Joan D. Vinge also uses demarchy in the sense of electronic direct democracy in her 1978 novel The Outcasts of Heaven Belt (later incorporated into The Heaven Chronicles), perhaps the earliest use of the term.
In Blue Mars, the conclusion of Kim Stanley Robinson's Mars Trilogy, the Martian government's lower house is selected by sortition. In Songs of Distant Earth by Arthur C. Clarke, the futuristic society on Thalassa is ruled by demarchy.
In Dark Light (the middle of the Engines of Light trilogy) by Ken MacLeod, a character says:
| “ | Drawing lots is fair, even if it sometimes throws up a freak result. With elections you're actually building the minority problem right in at every level, and lots more with it — parties, money, fame, graft, just for starters. What chance would that leave ordinary people, what chance would we have of being heard or of making a difference? Elections are completely undemocratic, they're downright antidemocratic. Everybody knows that! | ” |
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