Delmore Schwartz - Published Works

Published Works

  • In Dreams Begin Responsibilities. http://books.google.com/books?id=9yAbYPySgxIC&printsec=frontcover&dq=delmore+schwartz#v=onepage&q&f=false. (New Directions, 1938), ISBN 978-0-8112-0680-8, a collection of short stories and poems.
  • Shenandoah and Other Verse Plays (New Directions, 1941).
  • Genesis: Book One (New Directions, 1943), book-length poem about the growth of a human being.
  • The World Is a Wedding (New Directions, 1948), a collection of short stories.
  • Vaudeville for a Princess and Other Poems (New Directions, 1950).
  • Summer Knowledge: New and Selected Poems. http://books.google.com/books?id=9VckeViE1BsC&printsec=frontcover&dq=delmore+schwartz#v=onepage&q&f=false. (New Directions, 1959; reprinted 1967), ISBN 978-0-8112-0191-9.
  • Successful Love and Other Stories (Corinth Books, 1961; Persea Books, 1985), ISBN 978-0-89255-094-4
Published posthumously
  • Donald Dike, David Zucker (ed.) Selected Essays (1970; University of Chicago Press, 1985), ISBN 978-0-226-74214-4
  • In Dreams Begin Responsibilities and Other Stories (New Directions, 1978), a short story collection.
  • Letters of Delmore Schwartz, ed. Robert Phillips (1984) ISBN 978-0-86538-048-6
  • The Ego Is Always at the Wheel: Bagatelles, ed. Robert Phillips (1986), a collection of humorously whimsical short essays
  • Last and Lost Poems. http://books.google.com/books?id=hfbAkLvB-6MC&pg=PR13&dq=delmore+schwartz#v=onepage&q&f=false. ed. Robert Phillips (New Directions, 1989) ISBN 978-0-8112-1096-6
  • Screeno: Stories & Poems. New Directions. 2004. ISBN 978-0-8112-1573-2. http://books.google.com/books?id=k3JC6vsBkHsC&printsec=frontcover&dq=delmore+schwartz#v=onepage&q&f=false.

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Famous quotes containing the words published and/or works:

    Until the Women’s Movement, it was commonplace to be told by an editor that he’d like to publish more of my poems, but he’d already published one by a woman that month ... this attitude was the rule rather than the exception, until the mid-sixties. Highest compliment was to be told, “You write like a man.”
    Maxine Kumin (b. 1925)

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)