Del Rey Books - Series

Series

  • The earliest Del Rey listing in the Internet Speculative Fiction Database is the December 1976 fourth Ballantine paperback printing of A Prelude to Space (1951) by Arthur C. Clarke.
  • The first new book published by the imprint was The Sword of Shannara by Terry Brooks in 1977.
  • Del Rey published The White Dragon by Anne McCaffrey in 1978, the third book in the original Dragonriders of Pern trilogy, along with new editions of the first two books. Since then it has been the first or first US publisher of 18 more Pern books by Anne or Todd McCaffrey.
  • Del Rey novelized the Robotech series across over 20 books since 1987.
  • Southern Victory series (September 1997-2007) by Harry Turtledove.
  • Del Rey is currently the publisher of the adult Star Wars novels while Scholastic Press deals with young reader Star Wars books.
  • Del Rey novelized the popular video game series Halo.
    • Halo: The Fall of Reach
    • Halo: The Flood
    • Halo: First Strike
  • Del Rey is the publisher for the Ghosts of Albion novels by Amber Benson and Christopher Golden.
    • Accursed (October 2005)
    • Witchery (September 2006)
  • A series of tie-in novels with the film Batman Begins was published throughout 2006 and 2007.
    • Batman: Dead White (July 2006)
    • Batman: Inferno (October 2006)
    • Batman: Fear Itself (February 2007)
  • A series of novelizations of the Spider-Man film franchise.
    • Spider-Man (2002)
    • Spider-Man 2 (2004)
    • Spider-Man 3 (2007)

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Famous quotes containing the word series:

    As Cuvier could correctly describe a whole animal by the contemplation of a single bone, so the observer who has thoroughly understood one link in a series of incidents should be able to accurately state all the other ones, both before and after.
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    There is in every either-or a certain naivete which may well befit the evaluator, but ill- becomes the thinker, for whom opposites dissolve in series of transitions.
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    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
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