Debabrata Biswas - Personal Life

Personal Life

A bachelor, a teetotaller, an excellent cook of spiced food, a visitor to the Calcutta Horse Racing Turf, a traditionalist at heart yet posing as a bohemian in a tongue-in-cheek style, and by any standards an eccentric, he lived a simple, modest and spartan life at his rented flat in South Calcutta, retiring in 1971 from the Life Insurance Corporation of India where he held a clerical position throughout his tenure; this, despite his being a post-graduate in economics from the Calcutta University. A confirmed communist throughout his life, he held his party membership with the Communist Party of India till the mid 1950s. However, he was hurt at the fact that a conflict had arisen among the core groups of the Communist Party itself. Hence, when Communist Party of India (Marxist) was formed, he was in a confused state. However, he remained in touch with the communist party till his death. In one of his memoirs he has said: "When the party got divided into two sections, I was confused, because I was attached to the members of both, Communist Party of India or CPI, as well as the newly formed Communist Party of India (Marxist). So, I decided to remain away from active politics. However, I must confess that I have been lucky to get the true love of all the members of both the wings of the communist party all through my life."

Apart from Rabindrasangeet, he is known to have held the masses spellbound with his booming and baritone voice singing Ganasangit or Peoples' Songs in party gatherings, meetings and plenary sessions up to the mid-1950s. He remains one of the towering personalities of the peak era of Indian People Theatre Association (IPTA) as a cultural delegate of which he visited China twice in the early 1950s with other great cultural luminaries from India. He recorded his experiences with China in a well-written but somewhat simplistic and naive book titled Antaranga Chin or China of My Heart.

A broad-hearted man of caustic humour even to the point of self-mockery, buffoonery and feigned frivolity, he was fond of sketching and often gave drawings along with autographs. One such signature features himself praying to Tagore and another showing Tagore hitting a sixer with a cricket bat . Immensely popular as he was, he had shunned the press and the media all his life, not even allowing his own photographs or career history on blurbs or record covers.

He lent his voice to a number of films and after his death was the subject of a documentary film by his name, based on archival footage and interviews.

To this day he remains the most popular exponent in the art of Rabindrasangeet, a model of orthodoxy when orthodox and an icon of protest against establishment, organised media and cultural dictatorship when breaking away from the orthodox. Even after 30 years from his death, his records remain in supreme demand.