Death of Wolfgang Amadeus Mozart - First-person Accounts

First-person Accounts

Individuals present at the time of Mozart's death eventually committed their memories to writing, either on their own or through interviews by others. The stories they told are not entirely mutually compatible, which may be due in part to some of them not being recorded until the 1820s, when the witnesses' memories might have faded.

Benedikt Schack, Mozart's close friend for whom he wrote the role of Tamino in The Magic Flute, told an interviewer that on the last day of Mozart's life, he participated in a rehearsal of the Requiem in progress: Schack's questionable account appeared in an obituary for Schack which was published in the 25 July 1827 issue of Allgemeine musikalische Zeitung:

On the very eve of his death, had the score of the Requiem brought to his bed, and himself (it was two o'clock in the afternoon) sang the alto part; Schack, the family friend, sang the soprano line, as he had always previously done, Hofer, Mozart's brother-in-law, took the tenor, Gerl, later a bass singer at the Mannheim Theater, the bass. They were at the first bars of the Lacrimosa when Mozart began to weep bitterly, laid the score on one side, and eleven hours later, at one o'clock in the morning (of 5 December 1791, as is well known), departed this life.

Biographer Niemetschek relates vaguely similar account, leaving out a rehearsal:

On the day of his death he asked for the score to be brought to his bedside. 'Did I not say before, that I was writing this Requiem for myself?' After saying this, he looked yet again with tears in his eyes through the whole work.

The widely repeated claim that, on his deathbed, Mozart dictated passages of the Requiem to his pupil Süssmayr is strongly discounted by Solomon, who notes that the earliest reference for this claim dates to 1856. Sophie Weber did claim to recall, however, that Mozart gave instructions to Süssmayr.

An 1840 letter from the composer Ignaz von Seyfried states that on his last night, Mozart was mentally occupied with currently running opera The Magic Flute. Mozart is said to have whispered the following to Constanze in reference to her sister Josepha Hofer, the coloratura soprano who premiered the role of the Queen of the Night:

"Quiet, quiet! Hofer is just taking her top F; — now my sister-in-law is singing her second aria, 'Der Hölle Rache'; how strongly she strikes and holds the B-flat: 'Hört! hört! hört! der Mutter Schwur'"

Solomon, while noting that Mozart's biographers often left out the "crueler memories" surrounding his death, stated, "Constanze Mozart told Nissen that just before the end Mozart asked her what Dr. Closset had said. When she answered with a soothing lie, he said, 'It isn't true,' and he was very distressed: 'I shall die, now when I am able to take care of you and the children. Ah, now I will leave you unprovided for.' And as he spoke these words, 'suddenly he vomited —it gushed out of him in an arc— it was brown, and he was dead.'"

Mozart's older, seven year-old son Karl, was present at his father's death and later wrote, "Particularly remarkable is in my opinion that fact that a few days before he died, his whole body became so swollen that the patient was unable to make the smallest movement, moreover, there was stench, which reflected an internal disintegration which, after death, increased to the extent that an autopsy was impossible."

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