Plot
When the popular game show Me Wantee! steals ratings from The Krusty the Clown Show, Krusty, annoyed with the network executives, announces that he will quit showbusiness for good. During an interview with Kent Brockman, he says he is tired of doing his show, and admits to taping Judge Judy over all his old shows featuring Sideshow Bob. Upon hearing this on TV, Bob vows revenge and plots to kill Krusty. Bob is released from prison and applies for a job at Springfield Elementary as an assistant janitor. However, Principal Skinner decides to make him the morning announcer. Over the announcements, he asks Bart to meet him in the abandoned tool shed. Sideshow Bob bounds Bart, then hypnotizes and programs him to smash a statue of Krusty at a local Krusty Burger location.
The next night on Krusty's farewell special, Krusty describes the history of his career, Bob straps Bart with explosives in order to kill Krusty. Bart attempts to hug Krusty, thereby setting off the explosives, but before he can, Krusty talks to the audience about how he regrets mistreating Sideshow Bob, holding himself responsible of turning Bob into a ruthless criminal. (from season 1's episode Krusty gets busted) Krusty even goes far by singing a song on behalf of Bob, stating how very remorseful he is of mistreating him. Upon witnessing this, Bob is touched and develops a change of heart, but does not have time to stop his original plan from being carried out. Luckily, Krusty's trained chimp Mr. Teeny sees the life-threatening explosives, which he throws into the network executives' office, killing all the executives, though they would later reanimate themselves like the T-1000 from Terminator 2. Bart comes out of his hypnotic state and he and his family serve dinner with Krusty, Bob and Sideshow Mel in a restaurant. Although Krusty and Bob reconcile, police decide to execute Bob by guillotine for his plot of attempted murder, although he argues with Chief Wiggum that he should have a trial for it at least.
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“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
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