Production
James Gunn is only partially responsible for the screenplay, despite receiving solo writing credit. After he left the project to concentrate on Scooby-Doo 2: Monsters Unleashed, both Michael Tolkin and Scott Frank were brought in for rewrites. In a commentary track on the Ultimate Edition DVD for the original George A. Romero's Dawn of the Dead, Richard P. Rubinstein, producer of both the original and the remake, explained that Tolkin further developed the characters, while Frank provided some of the bigger and upbeat action sequences.
The mall scenes of the film as well as the rooftop scenes were shot in the Thornhill Square Shopping Center in Thornhill, Ontario and the rest of the scenes were shot in the Aileen-Willowbrook Neighborhood of Thornhill, Ontario. The set for Ana and Louis's bedroom was constructed in a backroom of the mall. The mall was defunct, which is the reason the production used it; the movie crew completely renovated the structure, and stocked it with fictitious stores after Starbucks and numerous other corporations refused to let their names be used (two exceptions to this are Roots and Panasonic). Most of the mall was demolished shortly after the film was shot. The fictitious stores include a coffee shop called Hallowed Grounds (a lyric from Johnny Cash's song "The Man Comes Around", which was used over the opening credits), and an upscale department store called Gaylen Ross (an in-joke reference to one of the stars of the original 1978 film).
The first half of the film was shot almost entirely in chronological order, while the final sequences on the boat and island were shot much later and at a different location (Universal Studios Hollywood) than the rest of the movie, after preview audiences objected to the sudden ending of the original print.
Read more about this topic: Dawn Of The Dead (2004 film)
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“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)