Career
Allen studied under Betty Churcher at the Stuartholme School, Brisbane (1965–69) and later under Roy Churcher (Betty Churcher's husband) at Brisbane Central Technical College. She won the Archibald Prize in 1986 for her portrait of her father-in-law Dr John Shera (My father-in-law watering his garden). Allen has written and illustrated two books, and has created a 50 minute film, Feeling Sexy (1999), on the struggles of an artist attempting to reconcile the conflicting demands of bohemia and suburbia. At the 1999 Film Critics Circle of Australia Awards, she was nominated for the award for "Best Direction" for that film and she won the "Best Original Screenplay" award. The film was also invited to the Venice Film Festival.
She frequently confronts the themes of family and sexuality; regarding the latter she has said: "if we are truly feminist in the fullest sense of the word, we shouldn't have felt we had to lock it away or be really careful about it. We should be chauvinist in our womanhood." Allen is represented in most major public collections in Australia.
Read more about this topic: Davida Allen
Famous quotes containing the word career:
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)