Influences
Tibet's lyrical subject matter reflects a consistent preoccupation with all aspects of apocalypse. He has long been a student of Christian eschatology. At a precocious age, he developed a strong interest in Aleister Crowley and the Ordo Templi Orientis. He joined the Typhonian Ordo Templi Orientis and borrowed the term "93 Current", the current of Thelema or Agape, from Crowley. His initial recording as Current 93, LAShTAL, was, according to Tibet, "the invocation of Malkunofath on the Nightside of Eden, the reverse of the Tree of Life". He has long proclaimed a virtual anathema to Crowleyism (despite a strong appreciation for Crowley as an individual) and instead has embraced at various intervals, Tibetan Buddhism and esoteric Christianity. His projects continue to focus on the multifaceted aspects of apocalypse, mainly death, loss and destruction. Progressively, his works are tempered by Christian mysticism and an increasingly strong faith in the end of the world.
Other influences include Noddy, Gnosticism, Austin Osman Spare, Stock, Aitken and Waterman, Bobby Beausoleil, and a variety of occult topics.
In April 2006, Ordo Templi Orientis formed the International OTO Cabinet, an advisory, non-voting panel made up of both OTO Initiates and Non-Initiates. David Tibet was named among the initial non-member appointments.
Read more about this topic: David Tibet
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