Themes and Subject Matter
Malouf's writing is characterised by a heightened sense of spatial relations, from the physical environments into which he takes his readers—whether within or outside built spaces, or in a natural landscape. He has likened each of his succession of novels to the discovery and exploration of a new room in a house, rather than part of an overarching development. "At a certain point, you begin to see what the connections are between things, and you begin to know what space it is you are exploring." From his first book Johnno, his themes have focused on "male identity and soul-searching". He said that much of the male writing that preceded him "was about the world of action. I don't think that was ever an accurate description of men's lives". He believes that it was Patrick White who turned this around in Australian writing—that White's writing was the kind "that goes behind inarticulacy and or unwillingness to speak, writing that gives the language of feeling to people who don't have it themselves".
He said that "I knew that the world around you is only uninteresting if you can't see what is really going on. The place you come from is always the most exotic place you'll ever encounter because it is the only place where you recognise how many secrets and mysteries there are in people's lives". However, after nearly four decades of writing, he has concluded that in older writers there's sometimes "a fading of the intensity of the imagination, and ... of the interest in the tiny details of life and behaviour—you see getting a bit impatient with that."
Read more about this topic: David Malouf
Famous quotes containing the words subject matter, themes, subject and/or matter:
“Experiences in order to be educative must lead out into an expanding world of subject matter, a subject matter of facts or information and of ideas. This condition is satisfied only as the educator views teaching and learning as a continuous process of reconstruction of experience.”
—John Dewey (1859–1952)
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
—Henry David Thoreau (1817–1862)
“The writer, like a swimmer caught by an undertow, is borne in an unexpected direction. He is carried to a subject which has awaited him—a subject sometimes no part of his conscious plan. Reality, the reality of sensation, has accumulated where it was least sought. To write is to be captured—captured by some experience to which one may have given hardly a thought.”
—Elizabeth Bowen (1899–1973)
“My first big mistake was made when, in a moment of weakness, I consented to learn the game; for a man who can frankly say “I do not play bridge” is allowed to go over in the corner and run the pianola by himself, while the poor neophyte, no matter how much he may protest that he isn’t “at all a good player, in fact I’m perfectly rotten,” is never believed, but dragged into a game where it is discovered, too late, that he spoke the truth.”
—Robert Benchley (1889–1945)