David Malouf - Career

Career

His first novel, Johnno (1975), is the semi-autobiographical tale of a young man growing up in Brisbane during World War II. It was adapted for the stage by La Boite Theatre in 2004. In 1982, his novella about three acquaintances and their experience of World War I, Fly Away Peter, won The Age Book of the Year fiction prize. His epic novel The Great World (1990) tells the story of two Australians and their relationship amid the turmoil of two World Wars, including imprisonment by the Japanese during World War II; the novel won the Commonwealth Writers' Prize and the French Prix Femina Étranger. His Booker Prize-shortlisted novel Remembering Babylon (1993) is set in northern Australia during the 1850s amid a community of Scottish immigrant farmers whose isolated existence is threatened by the arrival of a stranger, a young white man raised from boyhood by Indigenous Australians. It also won the Commonwealth Writers' Prize (South East Asia and South Pacific Region, Best Book), and in 1996, it won the first International IMPAC Dublin Literary Award.

In 2007, his short-story collection Every Move You Make won The Age Book of the Year Award for Fiction and the Queensland Premier's Literary Awards, Australian Short Story Collection - Arts Queensland Steele Rudd Award. Australian critic Peter Craven described it as "as formidable and bewitching a collection of stories as you would be likely to find anywhere in the English-speaking world". He goes on to say that "No one else in this country has: the maintenance of tone, the expertness of prose, the easeful transition between lyrical and realist effects. The man is a master, a superb writer, and also (which is not the same thing) a completely sophisticated literary gent".

Malouf has written several volumes of poetry, three collections of short stories, and a play, Blood Relations (1988). He has written libretti for three operas (including Voss, an adaptation of the novel of the same name by Patrick White and first produced in the 1986 Adelaide Festival of Arts conducted by Stuart Challender), and Baa Baa Black Sheep (with music by Michael Berkeley), which combines a semi-autobiographical story by Rudyard Kipling with Kipling's Jungle Books. His memoirs, 12 Edmondstone Street, were published in 1985.

Malouf was awarded the Pascall Prize for Critical Writing in 1988. In 2008, Malouf won the Australian Publishers Association's Lloyd O'Neil Award for outstanding service to the Australian book industry He was elected a Fellow of the Royal Society of Literature in 2008.

Malouf says, on being a writer: "I totally reject the idea of being representative in any way. This whole idea of role models. It's a terrible idea. I don't like the idea of being some kind of representative consciousness of the country. You do what you do, the way you do it, out of a kind of necessity. I can't see how that would be useful to anyone else".

Read more about this topic:  David Malouf

Famous quotes containing the word career:

    “What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
    —Arlie Hochschild (20th century)

    “The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
    —Jessie Bernard (20th century)

    “They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
    —Anne Roiphe (20th century)