David Lewin - Publication List

Publication List

• "Re Intervallic Relations Between Two Collections of Notes." Journal of Music Theory 3/2 (1959): 298–301
• "The Intervallic Content of a Collection of Notes, Intervallic Relations between a Collection of Notes and its Complement: an Application to Schoenberg’s Hexachordal Pieces." Journal of Music Theory 4/1 (1960): 98–101
• "A Metrical Problem in Webern's Op. 27." Journal of Music Theory 6/1 (1962): 125-132
• "A Theory of Segmental Association in 12 tone music." Perspectives of New Music 1/1 (1962): 89-116
• "Berkeley. Arnold Elston Quartet. Seymour Shifrin Quartet No. 2." Review in Perspectives of New Music 2/2 (1964): 169-175
• "Communication on the Invertibility of the Hexachord." Perspectives of New Music 4/1 (1965): 182-186
• "Is it Music?" Proceedings, First Annual Conference of the American Society of University Composers (1966): 50-53, on computer music.
• "Congruence-Invarian Measures in Uniform Spaces." Transactions of the American Mathematical Society 124/3 (1966): 50-53
• "On Certain Techniques of Re-Ordering in Serial Music." Journal of Music Theory 10/2 (1966): 276-287
• "A Study of Hexachord Levels in Schoenberg's Violin Fantasy." Perspectives of New Music 6/1 (1967-8): 18-32
• "Moses und Aron: Some General Remarks, and Analytic Notes for Act I, Scene I." Perspectives of New Music 6/1 (1967–8): 18–32; repr. in The Garland Library of the History of Western Music, ed. E. Rosand, xii (New York, 1965): 327–43
• "Inversional Balance as an Organizing Force in Schoenberg’s Music and Thought." Perspectives of New Music: 6/2 (1967–8): 1–21
• "Some Applications of Communication Theory to the Study of Twelve-Tone Music." Journal of Music Theory, 12 (1968): 50–84
• "Some musical jokes in Mozart's Le Nozze di Figaro." In Studies in Music History : Essays for Oliver Strunk, edited by Harold Powerspp. 443–47; reprinted in "Figaro’s Mistakes", Current Musicology, no.57 (1995): 45–60; reprinted in Studies in Music with Text, Oxford University Press, 2006.
• "Behind the Beyond … a Response to Edward T. Cone", Perspectives of New Music, vii (1968–9), 59–69
• "Toward the Analysis of a Schoenberg Song - Op.15 no.1", Perspectives of New Music, xii/1-2 (1973–74), 43–86
• "On Partial Ordering", Perspectives of New Music, xiv/2 (1976), 252-257
• "On the Interval Content of Invertible Hexachords", Journal of Music Theory, xx/2 (1976), 185-188
• "A Label-Free Development for 12-PC Systems", Journal of Music Theory, xxi/1 (1977), 29-48
• "Some Notes on Schoenberg's Op. 11", In Theory Only, iii/1 (1977), 3-7
• "Forte’s Interval Vector, my Interval Function, and Regener’s Common-Note Function", Journal of Music Theory, xxi (1977), 194–237
• "A Communication on Some Combinational Problems", Perspectives of New Music, xvi/2 (1978), 251-254
• "Two Interesting Passages in Rameau's Traité de l'harmonie", In Theory Only, iv/3 (1978), 3-11
• "A Response to a Response On PCSet Relatedness", Perspectives of New Music, xviii/1-2 (1979–80), 498-502
• "On Generalized Intervals and Transformations", Journal of Music Theory, xxiv/2 (1980), 243-251
• "Some New Constructs Involving Abstract PCSets, and Probabilistic Applications", Perspectives of New Music, xviii/1-2 (1979–80), 433-444
• "Some Investigations into Foreground Rhythmic and Metric Patterning", Music Theory: Special Topics, ed. R. Browne (New York, 1981), 101–37
• "On Harmony and Meter in Brahms's Op.76 No.8", 19-Century Music, iv/3 (1981), 261-265
• "A way into Schoenberg's opus 15, number 7", In Theory Only, vi/1 (1981) 3-24
• "Comment: "On Joel Lester, 'Simultaneity structures and harmonic functions in tonal music', In theory only 5/5: 3-28, and Marion Guck, 'Musical images as musical thoughts: the contribution of metaphor to analysis', In theory only 5/5: 29-42", In Theory Only v/8 (1981) 12-14
• "Vocal Meter in Schoenberg’s Atonal Music, with a Note on a Serial Hauptstimme", In Theory Only, vi/4 (1982), 12–36
• "A Formal Theory of Generalized Tonal Functions", Journal of Music Theory, xxvi (1982), 23–60
• "An example of serial technique in early Webern", Theory and Practice, vii/1 (1982) 40-43
• "On extended Z-triples", Theory and Practice, vii/1 (1982) 38-39
• "Auf dem Flusse: Image and Background in a Schubert Song", 19th-Century Music, vi (1982–3), 47–59; rev. as Auf dem Flusse … Schubert: Critical and Analytical Studies, ed. W. Frisch (Lincoln, NE, 1986), 126–52
• "Transformational Techniques in Atonal and Other Music Theories", Perspectives of New Music, xxi (1982–3), 312–71
• "Brahms, his Past, and Modes of Music Theory", Brahms Studies: Washington DC 1983, 13–27
• "An Interesting Global Rule for Species Counterpoint", In Theory Only, vi/8 (1983), 19–44
• "Amfortas’s Prayer to Titurel and the role of D in Parsifal: the Tonal Spaces of the Drama and the Enharmonic C/B", 19th-Century Music, vii (1983–4), 336–49
• "Studying with Roger", Perspectives of New Music, xxiii/2 (1982–3), 152-154
• "On Formal Intervals Between Time-Spans", Music Perception: An interdisciplinary journal, i/4 (1984) 414-23
• "On Ellwood Derr's 'Deeper Examination of Mozart's 1-2-4-3 Theme.'" In Theory Only viii/6 (1985) 3
• "Music Theory, Phenomenology, and Modes of Perception", Music Perception, iii (1986), 327–92
• Generalized Musical Intervals and Transformations (Yale University Press: New Haven, CT, 1987; reprint Oxford University Press, 2007)
• "On the 'ninth-chord in fourth inversion' from Verklärte Nacht", Journal of the Arnold Schoenberg Institute, X/1 (1987) 45-64
• "Concerning the inspired revelation of F. J. Fétis", Theoria, ii (1987) 1-12
• "Some Instances of Parallel Voice-Leading in Debussy", 19th-Century Music, xi (1987–8), 59–72
• "Klumpenhouwer Networks and Some Isographies that Involve Them", Music Theory Spectrum, xii (1990), 83–120
• "Some Problems and Resources of Music Theory" Journal of Music Theory Pedagogy, v/2, (1991) 111-132
• "Musical Analysis as Stage Direction", Music and Text: Critical Inquiries, ed. S.P. Scher (Cambridge, 1992), 163–76
• "Women’s Voices and the Fundamental Bass", Journal of Musicology, x (1992), 464–82
• "Some Notes on Analyzing Wagner: The Ring and Parsifal", 19th-Century Music, xvi (1992–3), 49–58
• "A Metrical Problem in Webern’s Op.27", Music Analysis, xii (1993), 343–54
• Musical Form and Transformation: Four Analytic Essays (Yale University Press: New Haven, CT, 1993; reprint Oxford University Press, 2007)
• "A Tutorial on Klumpenhouwer Networks, using the Chorale in Schoenberg’s Opus 11 No.2", Journal of Music Theory, xxxviii (1994), 79–101
• "Comment on John Roeder's article", Music Theory Online, 0/6(1994)
• "Generalized Interval Systems for Babbitt’s Lists, and for Schoenberg’s String Trio", Music Theory Spectrum, xvii (1995), 81–118
• "Cohn Functions", Journal of Music Theory, xl (1996), 181–216
• "Some Notes on Pierrot Lunaire", Music Theory in Concept and Practice, ed. J.M. Baker, D.W. Beach and J.W. Bernard (Rochester, NY, 1997), 433–57
• "Conditions Under Which, in a Commutative GIS, Two 3-Element Sets Can Span the Same Assortment of GIS-Intervals; Notes on the Non-Commutative GIS in This Connection", Integral 11 (1997) 37-66
• "The D major Fugue Subject from WTCII: Spatial Saturation?", Music Theory Online, iv/4 (1998)
• "Some Notes on the Opening of the F♯ Fugue from WTCI", Journal of Music Theory, 42/2 (1998), 235-239
• "Some Ideas about Voice-Leading Between PCSETS", Journal of Music Theory, 42/1 (1998), 15-72
• "All Possible GZ-Related 4-Element Paris of Sets, in All Possible Commutative Groups, Found and Categorized", Integral 14-15 (2000–2001) 77-120
• "Special Cases of the Interval Function Between Pitch-Class Sets X and Y", Journal of Music Theory, 42/2 (2001), 1-29
• "Thoughts on Klumpenhouwer Networks and Perle-Lansky Cycles", Music Theory Spectrum, 45/1 (2002), 196-230
• "Some Compositional Uses of Projected Geometry", Perspectives of New Music, 42/2 (2004), 12-65
• "Studies in Music and Text" (New York: Oxford University Press, 2006)