Theatre
| Year | Title | Role | Other notes |
|---|---|---|---|
| 2009 | Tassie Talent Time | Reg Masters / Kermit the Frog | Directed by Brett Budgeon (Bass Strait Productions) |
| 2009 | The Brett Budgeon and Darryl Beaton Big Band Variety Show | MC / Kermit the Frog / Susan Boyle | Directed by Brett Budgeon (Bass Strait Productions) |
| 2009 | Ye Olde Britannia Music Hall | Chairman | Directed by Brett Budgeon (Bass Strait Productions) |
| 2008 | The Night Before Christmas | Godfather Drosselmeyer / Mouse King / Woodsman | Directed by Tama Matheson (4MBS Classic Players) |
| 2008 | Piccadilly Old Time Music Hall | Chairman | Directed by Kate Peters (Top Hat Productions/ NARPACA) |
| 2008 | Much Ado About Nothing | Friar Francis / Sexton | Directed by Tama Matheson (4MBS Classic Players / Shakespeare On Oxford Festival) |
| 2008 | One Flew Over the Cuckoo's Nest | Chief Bromden | Directed by Tony Bonner (Jally Productions) |
| 2007 | Concert with the Stars | Co-Host and Soloist | Directed by Brett Budgeon |
| 2007 | Carousel | David Bascombe | Directed by Tony Alcock (Twelfth Night Theatre) |
| 2007 | Three Little Pigs | Dame Prudence Trotter | Directed by Kate Peters (Top Hat Productions) |
| 2007 | A Midsummer Night's Dream | Francis Flute | Directed by Tama Matheson (4MBS Classic Players / Shakespeare On Oxford Festival) |
| 2007 | Cats | Bustopher Jones / Gus the Theater cat | Directed by Tim O'Connor (Harvest Rain Theatre Company) |
| 2007 | 'Allo 'Allo! | Officer Crabtree | Directed by Peter Farago (Twelfth Night Theatre) |
| 2007 | Lexie Turns To Stone | Lonny | Directed by Amy Ingram (Judith Wright Centre)played opposite Liana Werner-Gray |
| 2006 | Hitchcock & Herrmann | Alfred Hitchcock | Directed by David Knijnenburg and Jesse Rosenfeld (Melbourne Fringe Festival/ Darling You Were Marvellous Theatre Company) |
| 2005 | Run for Your Wife | Detective Sergeant Troughton | Directed by Peter Farago (Twelfth Night Theatre) |
| 2005 | Charlotte's Web | Mr Zuckermann | Directed by Lynn Pelgrave |
| 2005 | Dad's Army | The Vicar | Directed by Chris Betts (Bruce Mason Centre NZ) |
| 2005 | The Taming of the Shrew | Gremio, The Tailor and Vincentio | Directed by Mark Conaghan (Harvest Rain Theatre Company) |
| 2005 | Hitchcock & Herrmann | Alfred Hitchcock | Written and directed by David Knijnenburg (Shrine Pictures) |
| 2005 | Robin Hood And His Merry Men | Friar Tuck | Directed by Kate Peters (Top Hat Productions) |
| 2004 | The Rocky Horror Show | Doctor Scott | Directed by Tony Alcock (On The Boards Theatre Company) |
| 2004 | Piccadilly Old Time Music Hall | Chairman and Soloist | Directed by Kate Peters (Top Hat Productions) |
| 2004 | Dad's Army | The Vicar | Directed by Peter Williams (Twin Towns) |
| 2004 | Wit! | Ensemble | Directed by Jack Bradford (Bunbury Theatre Company) |
| 2004 | Dad's Army | The Vicar | Directed by Peter Williams (Twelfth Night Theatre) |
| 2004 | The Soldier's Tale | The Devil | (Collusion/ Queensland Conservatorium) |
| 2003 | Brave New World Order | Barry Jumper | Directed by Brett Heath (Brisbane Powerhouse) |
| 2002 | S.C.Superstar | Bernard, Santa's Head Elf | Directed by Damian Lee (Stage Door Dinner Theatre) |
| 2002 | Wit! | Technician 3 | Directed by Jack Bradford (La Boite Theatre D-Lab) |
| 2002 | La Bamba | The Great Cummerbundini | (La Boite Theatre) |
| 2002 | Annie | Daddy Warbucks | Directed by Jack Bradford (Brisbane Junior Theatre) |
| 2002 | La Bamba – Honk if you love... | Fritz Eberhardt von Kurfurstendam | (La Boite Theatre) |
| 2002 | Cole Porter's Can-Can | Boris Adzinidzinadze | Directed by Robert Young (Gold Coast Arts Centre) |
| 2002 | Annie | Daddy Warbucks | Directed by Jan Patterson (Ipswich Musical Theatre) |
| 2002 | La Bamba – Sunday Night Fever | Old Codger | (La Boite Theatre) |
| 2002 | Brave New World Order | Ensemble | Directed by Brett Heath (Brisbane Powerhouse) |
| 2002 | You Can't Take It with You | Paul Sycamore | Directed by Steven Tandy (Gold Coast Little Theatre) |
| 2002 | Salome | Herod Antipas | Directed by Leah Huxley (Nash Theatre) |
| 2001 | Joseph and the Amazing Technicolor Dreamcoat | Potiphar, Naphtali | Directed by Robbie Parkin (Harvest Rain Theatre Company) |
| 2001 | My Fair Lady | Zoltan Karpathy, Harry | Directed by Robert Young (Gold Coast Arts Centre) |
| 2001 | Oliver! | Mr Sowerberry | Directed by Jack Bradford (Harvest Rain Theatre Company) |
| 2001 | Agatha Christie's Murder on the Nile | Simon Mostyn | Directed by Lynn Wright (Starbuck / QPAC) |
| 2001 | Bye Bye Birdie | Ed Sullivan, Company | Directed by Robbie Parkin (Harvest Rain Theatre Company) |
| 2000 | Whodunnit | Perkins, the Butler | Directed by Alex Lanham (Brisbane Arts Theatre) |
| 2000 | Les Misérables | Student / Company | Directed by Robert Young (Gold Coast Arts Centre) |
| 2000 | Portrait -A Musical of Oscar Wilde's A Picture Of Dorian Gray | Lord Fermor, Victor the Butler | Directed by John Wikman (A.P.I. Theatre Company) |
| 2000 | Joseph and the Amazing Technicolor Dreamcoat | Naphtali / Pharaoh's Guard | Directed by Robbie Parkin (Harvest Rain Theatre Company) |
| 1999 | The Importance of Being Earnest | Merriman, Lane, Oscar Wilde | Directed by Jack Bradford (Harvest Rain Theatre Company) |
| 1977 | Deidre the Dog | Deidre | Directed by Catherine Owen-Chandler (Lady of Lourdes Theatre Company) |
Read more about this topic: David Knijnenburg
Famous quotes containing the word theatre:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
—David Hare (b. 1947)
“The theatre is the involuntary reflex of the ideas of the crowd.”
—Sarah Bernhardt (1845–1923)