Dash Rip Rock is the legendary New Orleans trio known for their high-octane roots rock. SPIN says Dash Rip Rock is “undeniably the South’s greatest rock band.” The New York Times calls Dash Rip Rock “skillful musicians with a penchant for getting reliably wild….” No Depression raves that DRR’s recent albums prove that Dash is “one of the greatest bands working today.” In 2012, Dash Rip Rock was inducted into the Louisiana Music Hall of Fame.
Heralded for tight musicianship, live wild shows, and Bill Davis's guitar work, over 25 years the band has amassed an eclectic following. Though Dash Rip Rock is often credited with being one of the early pioneers of the musical genre known as “country punk,” "cowpunk," and alt-country music that combines elements of rock with country and outlaw country with punk rock, DRR has always been a roots-based band inspired by a variety of styles, including rock, country, soul, and power pop. "Their roots sound’s supercharged with energy and an overdose of irreverence, delivered with crunchy bar band swagger," Creative Loafing writes.
Read more about Dash Rip Rock: History, Selected Discography
Famous quotes containing the words dash, rip and/or rock:
“It is very rare that you meet with obstacles in this world which the humblest man has not faculties to surmount. It is true we may come to a perpendicular precipice, but we need not jump off, nor run our heads against it. A man may jump down his own cellar stairs, or dash his brains out against his chimney, if he is mad.”
—Henry David Thoreau (1817–1862)
“As a father I had some trouble finding the words to separate the person from the deed. Usually, when one of my sons broke the rules or a window, I was too angry to speak calmly and objectively. My own solution was to express my feelings, but in an exaggerated, humorous way: “You do that again and you will be grounded so long they will call you Rip Van Winkle II,” or “If I hear that word again, I’m going to braid your tongue.””
—David Elkind (20th century)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)