Production
Composer Robert J. Kral says this is his favorite episode to have scored, as he was able to write several different themes for the character of Darla. He was asked by director Tim Minear to write music that was "epochy. Something with horns...something Wagnerish." Kral and Buffy composer Thomas Wanker deliberately choose not to collaborate, so that the cross-over scenes would "maintain a different perspective," Kral says.
Production designer Stuart Blatt says the Boxer Rebellion flashback scenes in this episode and "Fool for Love" were filmed at a movie ranch with a standing set for a Mexican village. "Through our research," Blatt says, "we realized that a lot of Chinese towns looked very similar to small Mexican villages...clay adobe structures with either thatched or tower roofs." Gaffer Dan Kerns explains that to simulate the burning streets, his crew set up numerous 'flicker boxes' that "pulse like a flame", in addition to simulated moonlight from "cherry picker"-like machines.
Read more about this topic: Darla (Angel Episode)
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“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)