Differences Between The Book and The Television Series
| Book | TV series |
|---|---|
| The character of LaGuerta is named Migdia LaGuerta and is a detective. She is more forceful with her feelings for Dexter and after he spurns her advances, she catches him looking for Deborah at the ship yard. | She is named María LaGuerta and is a lieutenant. She has a slight crush on Dexter, and Doakes is the one who catches Dexter at the ship yard after having followed him. Later he catches Dexter in the midst of disposing of the man who killed his mother, by planting a GPS chip on his boat. |
| Deborah seems to suspect that there is something "wrong" about Dexter and eventually discovers his secret. | In the beginning, Deborah only knows that Dexter is hiding something. |
| Brian Moser kidnaps Deborah, but winds up killing LaGuerta instead and escapes. | Brian Moser dates Deborah (renamed Debra in this series), proposes to her and then kidnaps her so that he and Dexter can kill her together, which Dexter refuses to do. Dexter kills Brian. |
| The string of prostitute murders are committed by the Tamiami Butcher. | The killer is named the Ice Truck Killer. |
| In the book the kids have a dark past. | In the TV series the kids are normal as Rita had sheltered them from their father's abuse. |
Read more about this topic: Darkly Dreaming Dexter
Famous quotes containing the words differences between, differences, book, television and/or series:
“The extent to which a parent is able to see a child’s world through that child’s eyes depends very much on the parent’s ability to appreciate the differences between herself and her child and to respect those differences. Your own children need you to accept them for who they are, not who you would like them to be.”
—Lawrence Balter (20th century)
“Quintilian [educational writer in Rome about A.D. 100] hoped that teachers would be sensitive to individual differences of temperament and ability. . . . Beating, he thought, was usually unnecessary. A teacher who had made the effort to understand his pupil’s individual needs and character could probably dispense with it: “I will content myself with saying that children are helpless and easily victimized, and that therefore no one should be given unlimited power over them.””
—C. John Sommerville (20th century)
“‘Tis the good reader that makes the good book; a good head cannot read amiss: in every book he finds passages which seem confidences or asides hidden from all else and unmistakably meant for his ear.”
—Ralph Waldo Emerson (1803–1882)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)