Production
The film's crew consisted of the subjects themselves, who rigged up makeshift lighting and steadicam dollies, and learned to use a 16mm camera with black-and-white Kodak film. The post-production process took years, as financial difficulties created delays, as did Singer's insistence of creative control to protect the tunnel residents.
During filming, Amtrak announced they would be forcibly evicting the homeless living in the tunnels in order to reroute their trains through the tunnel. This announcement, plus the police presence backing the decision, prompted Singer and photographer Margaret Morton to go to the Coalition for the Homeless for help. Eventually, Singer and Morton managed to secure housing vouchers from the Department of Housing and Urban Development for the film's subjects, which enabled them to move out of the tunnels and into their own apartments.
Melissa Neidich was the editor of the film. Cinevision, a New York City camera shop, supplied Singer with cameras for the two-and-a-half years of filming. When Singer ran out of money for film, Kodak supplied free damaged film for the project.
Read more about this topic: Dark Days (film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
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