Danish Golden Age - Background and Context

Background and Context

The origins of the Golden Age can be traced back to around the beginning of the 19th century. Surprisingly, this was a very rough period for Denmark. Copenhagen, the centre of the country's intellectual life, first experienced huge fires in 1794 and 1795 which destroyed both Christiansborg Palace and large areas of the inner city. In 1801, as a result of the country's involvement in the League of Armed Neutrality, the British fleet inflicted serious damage on the city during the Battle of Copenhagen. In 1807, on rumours that the French might force Denmark to close the Baltic to their shipping, the British once again bombarded Copenhangen, this time specifically targeting the city and its civilian population. Then in 1813, as a result of the country's inability to support the costs of war, Denmark declared a State bankruptcy. To make matters worse, Norway ceased to be part of the Danish realm when it was ceded to Sweden the following year.

Copenhagen's devastation nevertheless provided new opportunities. Architects and planners widened the streets, constructing beautifully designed Neoclassical buildings offering a brighter yet intimate look. At the time, with a population of only 100,000, the city was still quite small, built within the confines of the old ramparts. As a result, the leading figures of the day met frequently, sharing their ideas, bringing the arts and the sciences together. Henrik Steffens was perhaps the most effective proponent of the Romantic idea. In a series of lectures in Copenhagen, he successfully conveyed the ideas behind German romanticism to the Danes. Influential thinkers, such as Oehlenschläger and Grundtvig were quick to take up his views. It was not long before Danes from all branches of the arts and sciences were involved in a new era of Romantic nationalism, later known as the Danish Golden Age.

Especially in the field of painting, change became apparent. While art had previously served to uphold the monarchy and the establishment, Christoffer Wilhelm Eckersberg and his students realized that, with the arrival of industrialization, the middle classes were increasingly gaining power and influence. Grand historical art gave way to more widely appealing but less pretentious genre paintings and landscapes.

The Golden Age is generally believed to have lasted until about 1850. Around that time, Danish culture suffered from the outbreak of the First Schleswig War (1848–1851). In addition, political reforms involving the end of the absolute monarchy in 1848 and the adoption of the Danish constitution the following year signalled the beginning of a new era. Finally, the extension of Copenhagen beyond the old ramparts during the 1850s opened up new horizons for urban expansion.

It was not until 1890 that the Danish philosopher Valdemar Vedel first used the term Guldalderen or Golden Age to describe the period. In 1896, author Vilhelm Andersen saw the Golden Age initiated by Henrich Steffens as the richest period in the cultural history of Denmark.

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