Folk and Tribal Dance Forms
Folk dances and plays in India retain significance rural areas as the expression of the daily work and rituals of village communities. These dances have their roots in religious and seasonal festivals that have become a background for such celebrations. They are mostly performed in groups.
Sanskrit literature of medieval times describes several forms of group dances such as Hallisaka, Rasaka, Dand Rasaka and Charchari. The Natya Shastra defines group dances of women as a preliminary dance performed in prelude to a drama.
Folk dances can be located according to the regions of their origin. Every state has its own folk dance forms like Garba, Gagari (dance), Ghodakhund in Gujarat, Kalbelia, Ghoomar, Rasiya in Rajasthan, Neyopa, Bacha Nagma in Jammu and Kashmir, Bhangra & Giddha in Punjab, Sambalpuri Dance in Western Orissa and likewise for each state and smaller regions in it.
Read more about this topic: Dance In India
Famous quotes containing the words folk, tribal, dance and/or forms:
“the yonge sonne
Hath in the Ram his halfe cours yronne,
And smale foweles maken melodye,
That slepen al the nyght with open eye—
So priketh hem nature in hir corages—
Thanne longen folk to goon on pilgrimages,”
—Geoffrey Chaucer (1340?–1400)
“What is this conversation, now secular,
A speech not mine yet speaking for me in
The heaving jelly of my tribal air?
It rises in the throat, it climbs the tongue,
It perches there for secret tutelage....”
—Allen Tate (1899–1979)
“The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.”
—Charles Baudelaire (1821–1867)
“This is the Scroll of Thoth. Herein are set down the magic words by which Isis raised Osiris from the dead. Oh! Amon-Ra—Oh! God of Gods—Death is but the doorway to new life—We live today-we shall live again—In many forms shall we return-Oh, mighty one.”
—John L. Balderston (1899–1954)