The Danbury Railway Museum (reporting mark DRMX) is housed in the former Union Station on the east end of downtown Danbury, Connecticut, United States. It was established in the mid-1990s following the closure of the station by Metro-North Railroad, and primarily focuses on the history of railroading in southern New England and neighbouring New York. In addition to the former station building, the museum has a collection of heritage railcars in the neighboring railyard it shares with Metro-North.
The station was built in 1903 by the New York, New Haven and Hartford Railroad in response to local pressure for a new station after the three railroads that served the city were merged into the New Haven. At its peak period 125 trains stopped there in a day. In 1993 that had dwindled to a few commuter trains, and the Connecticut Department of Transportation, which by then owned the neglected building, closed it in favor of a newer station on the other side of the block. Within two years the museum was formed and restored the station to its former appearance.
It is architecturally distinctive, with Colonial Revival touches on a Richardsonian Romanesque structure. Alfred Hitchcock filmed station scenes for Strangers on a Train on its distinctive curved platform. In 1986, prior to the museum's use of the building, it was listed on the National Register of Historic Places. It was joined on the Register in 2005 by the former turntable, the only intact one in the state.
Famous quotes containing the words railway and/or museum:
“Her personality had an architectonic quality; I think of her when I see some of the great London railway termini, especially St. Pancras, with its soot and turrets, and she overshadowed her own daughters, whom she did not understand—my mother, who liked things to be nice; my dotty aunt. But my mother had not the strength to put even some physical distance between them, let alone keep the old monster at emotional arm’s length.”
—Angela Carter (1940–1992)
“No one to slap his head.”
—Hawaiian saying no. 190, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)