Career in Television and Film
Kay Plato began taking Dana to auditions when she was very young. By the age of seven, Plato began doing television commercials, reportedly appearing in over 100 spots for companies as diverse as Kentucky Fried Chicken, Dole, and Atlantic Richfield. She claimed she was offered two highly sought-after movie roles: the part of possessed child Regan MacNeil in the 1973 film, The Exorcist, and the starring role in Louis Malle's 1978 film, Pretty Baby. According to Plato, her mother vetoed both jobs, either fearing Plato would be typecast, or subjected to unsavory subject matter. Exorcist author/screenwriter William Peter Blatty said in the book Former Child Stars: The Story of America's Least Wanted that he had "no such recollection" of Plato being offered the role.
Plato made her film debut in 1977 at the age of thirteen in Return to Boggy Creek. Other credits include California Suite, High School U.S.A. and Exorcist II: The Heretic.
Plato was a trained and accomplished figure skater. At one point she was training for a possible Olympic team spot. During this time she was spotted by a producer during a brief appearance on TV's The Gong Show. She won what would become her most famous acting role, that of Kimberly Drummond on Diff'rent Strokes. According to Plato, her mother decided she should cut back on her skating to focus on the role.
Read more about this topic: Dana Plato
Famous quotes containing the words career, television and/or film:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“Anyone afraid of what he thinks television does to the world is probably just afraid of the world.”
—Clive James (b. 1939)
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean O’Casey (1884–1964)